The Pop Up People Interview

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It’s not often I’m lost for words but I’m struggling on an introduction here and when you see this explosion of pop music, indie rock and performance art I think you’ll see why!  When I heard that Nicky from Penny & The Sausages had a new band I had to book them but I didn’t know what I had in store!  Now I’m super excited to have The Pop Up People come and play for us.  Tuck in and find out more!

Who are The Pop Up People? Where do we recognise you all from??

Rachael: I played drums in The Seven Inches, Trapdoor Minotaur and various other bands over the years. I was also Vim the Voodoo Grandma in Madam Laycock and her Dabeno Pleasures. I’m currently popping up in The Pop-Up People and drumming in a new band Andy & the Browns.

Alice: I pop up occasionally in Rachael’s bands, sometimes on the gloc and sometimes on Bass guitar. I am also in Andy & the Browns on gloc too.

Nik: I was the Great Goblin in Gosforth East Middle School’s interpretation of The Hobbit in 1989. Since then I’ve wielded things in various pop combos including Leeds-based Albeit, Bonsai Kittens and Penny and the Sausages.

The Pop-Up line-up is completed by Kathleen, who fronted Madam Laycock and her Daberno Pleasures and also pops up with puppets as one half of Odd Doll Puppetry (www.odddoll.co.uk).

Do you have a different theme for each gig and if so should we be preparing special outfits for December 4th?

Rachael: I think we will be re-visiting a previous theme that was Pop vs Crisps, so expect crisp and pop banter and outfits. Our special guest will be Stacy Mellor.

We’re having a raffle at the gig, what’s the best prize you’ve ever won on one?

Nik: I gatecrashed a private gig at which my dad’s band was playing, got boozy on wine with my fab little sister and won a bottle of vodka with ticket number 666. Needless to say I was a very excited recipient.

The big question…top three desserts of all members?

Alice: Vienetta, Cherry Pie and Rhubarb Crumble/Custard.

Rachael: Tricky question!! Cheesecake, Chocolate Cake and Angel Delight.

Nik: Though I have a sweet tooth, I’ve got a very narrow taste in desserts. Can I have three cherry bakewells? If not, I’ll grudgingly add cheese and biscuits (if that counts) and chocolate mousse.

 

If you could only listen to one album, read one book and watch one film forever (we haven’t quite worked out how this scenario came to be but go with it…) what would they be?

Alice: Album Tindersticks first album, book The Little Prince and film Whistle Down the Wind.

Rachael: Album would be Incesticide by Nirvana, book would be The Hunchback of Notre Dame by Victor Hugo, and the film would be Pete’s Dragon either version. I feel I have gone a bit dark here.

Where’s your favourite spot in Leeds for a quiet read/coffee/cake when you get a spare minute (which now you have told us will never be quiet again).

Alice: Hotel Chocolat.

Rachael: Just Grand in the Grand Arcade, lovely cake and coffee.

Nik: I’ve only been a couple of times, but The Bowery in Headingley is very lovely. And they serve cheese scones, which are criminally underrepresented among the scone community.

Any advice for younger folk wanting to start a band?

Nik: Do it as soon as you start learning to play rather than waiting until you’re “good enough”. Have fun, don’t worry about making mistakes, be yourself, be lovely to those you meet on your musical travels, play what you enjoy playing and don’t try to be a rock star. And never turn up to practice without biscuits.

Rachael: Similar to what Nicky has said, just do it. Even if it’s a band that doesn’t play music all the time. I have been in a fair few bands that never even picked up instruments.

Alice: If you do it with people you like spending time with you will enjoy it more.

Just any advice in general for younger folk?

Nik: Have fun doing stuff you aren’t good at. There’s so much pressure on young folk to achieve and excel at everything and it’s actually a massive relief to do something where there’s little expectation or likelihood of you doing particularly well at it. I’m learning to ride a bike at the grand old age of 39 and that’s precisely what I feel each time I fall into a bush in front of amused children in a park.

Alice: Stay up late in the summer and wrap up warm in the winter.

Rachael: Have a laugh.

Which band should we get for a future Youth Anthems?

Nik: I think the mighty and marvellous Biscuithead and the Biscuit Badgers would entertain and unsettle children in equal measures.

Rachael: I also agree that Biscuithead and the Biscuit Badgers would be perfect. Another excellent band would be Pete Bentham and the Dinnerladies too.

Alice: Andy & the Browns (shameless plug).

Parting words?

Alice: Work hard, be kind and laugh and cry often.

Rachael: Go to Hull, it’s never dull.

Nik: Slap bass = slap face. (My philosophy on bass playing.)

 

Fig By Four Interview

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Without sounding too bombastic Sarah really is an icon within the Leeds music scene.  Whether playing in Esper Scout, Molars, Ecate, in Fig By Four or being involved with Chunk or Bomb The Twist (not to even mention the City of Culture bid) she really covers a lot of important bases and really represents what is great about the local scene.  We’re lucky Manchester’s loss was our gain (in your face Manchester!) so here’s an inspiring little chat with Sarah before she opens up the next Youth Anthems gig.

What’s your name and where do you come from?

It’s a play on ‘four by four’. My favourite number married with a distaste of urban-tank 4x4s. It came to mind and stuck. I had a habit of eating dried figs at the time which happens every so often. Figging is also a form of torture but I won’t share that with the kids. I’m from Manchester. That’s where I started in bands when I was 15 or so. I’ve lived in Leeds for around eight years, coming here to study cinema and photography at university.

When did you first start writing and performing under the Fig by Four name?

Even though I’d consider drums to be my main instrument, it was a classical guitar that my nana and grandad bought me from their local market which came first. I learnt some cover songs and wrote a couple when I was maybe fourteen, half my life ago. After a short while I began focusing mainly on beats until the band that was to become Esper Scout moved to Leeds and needed a guitarist, and later a singer. It took ten years for me to pick it up again. I started putting chords and words together, admittedly with a feeling of tentative uncertainty about if it’d be any good. I still have that but with some grounding and direction. I’m a drummer with tendonitis. I thump things with a balance of cautious anxiety and carelessness in the moment.

How do you decide which songs are going to be for your solo work and which for Esper Scout?

There is some overlap in terms of me being able to rearrange some of the band’s songs to play solo. Ultimately though the more I pursue Fig by Four, the more I realise the two draw from completely different parts of myself. That’s not always the case, but with the four of us I find the lyrical roots are often of a noticeably political or at least directly social and passionately stirred nature. The message is a bit more urgent. Not an outright agenda but an ethos and atmosphere I guess. By contrast Fig by Four has a delicacy of tone you could say. Maybe I could put it like that. I seem to allow myself to indulge in productive and cathartic self deprecation and wistfulness a bit more. Still with an aim to be positive like Esper Scout, but more personally pointed and introspective. Turning frustrations and nagging daily expectations into a happier reality. But yeah, needless to say there’s more room for a love song or allowance for idiosyncratic quirks when it’s me alone. In ES I’m conscious of representing and uniting Kirsty, Abbi and Rebecca’s voices with mine. It’s a group effort bond band.

What sort of gigs do you find yourself playing and how do you find them compared with playing in a full band?

My first solo ‘set’ I think was an Elliott Smith tribute night in Leeds. I brought an Esper Scout song and my version of Smith’s ‘Twilight’. It’s still my favourite of his and lovely to play. The gig was quietly attended by a few friends and a handful of strangers. A couple of which have said hello a couple of years later which is nice. I remember it well. There are some gigs which have been offered to ES but we can’t be available for them so if I can do I’ll offer myself up. Experience is good and every show is a chance to build on what you have and see and meet new faces. There’s no question that it’s more nerve-wracking to perform alone, but usually I only realise that after the fact. I’ve started to notice my ‘just say yes and get on with it’ attitude recently. The same applies to the band too. I only felt the effects of the daunting London Roundhouse show that we played with the Cribs in a brief quiet moment some time later. Often they never come, those pieces of reality sinking in. Things can mean so much to me that I get so swept up in them and become overwhelmed to a point of numbness. So in that sense any gig, whether it’s solo, guitar, drums whatever, is very much the same. I do enjoy things, but they can pass me by too easily. Try to catch the fleeting journeysteps.

I know you are involved in the Leeds bid for Capital of Culture so what do you think are the most important cultural treasures in Leeds we should be making more use of?

Yeah, two years left to pull the bid together and if successful the celebrations will be in 2023. Chunk, the co-op practice space and venue we help maintain and grow would be my first mention. It’s a big collection of caring heads and hearts. Likewise musically Wharf Chambers and The Brudenell being obvious venue shouts. I’m a support worker by day and through that I get to see a lot of the city. The Tetley gallery in town, trips to Kirkstall Abbey (in my ‘hood), the Leeds-Liverpool canal and Meanwood Park are gems. Leeds is one if the best cities in the world and summer’s coming.

Since we last interviewed you with Esper Scout have there been any new local bands on your radar we should be checking out?

Oil are great! New, fun friends of the band who I’ve met through ES’s involvement in Chunk. Featuring members of Bearfoot Beware, ZoZo and Cattle. More from them soon. ZoZo are one of the best live bands you’ll see, we’re looking forward to releasing a split 7″ with them. Sabrina Piggott has a lovely way of songwriting too, with a warming Irish accent. Recommend! This person isn’t Leeds based but I think younger music lovers would really enjoy the new Frankie Cosmos album ‘Next Thing’. It’s bouncy and innocent but with real depth for someone who wrote those songs in her late teens/early twenties. Earlier this month I went to New York with my girlfriend, who’s a big fan of hers, to see both album release gigs at a DIY space in her local Brooklyn surroundings. A special gal. Melodic and intuitive.

Do you have any top tips for anyone thinking about doing some solo gigs if they’ve been used to playing in a band?

It’s nerve wracking at first for sure. Not having that family comfort. I play one or two Esper Scout songs in my set at the moment, an opportunity to know them differently. Lyrics tend to come across with increased attentiveness when it’s just voice and guitar. The chance to bare my emotions nakedly is a test of character and confidence, with no other sounds to hide within or people to stand amongst. Thankfully my motivation supersedes my nerves, at least enough to deter me from bottling a gig or let hesitation irrationally block me from putting a song out for others to hear. I must credit the encouragement of others a lot too. I write and play because it’s a compulsion I can’t seem to ignore, but boosts from outside myself can mean a great deal.

What question do you wish we would have asked and what would the answer be?

I love to travel, so I suppose something around that would always be welcome. I get real clarity of mind when moving around and open-eyed in new places. Or familiar ones with refreshing things happening. Recently in New York I visited the Interference Archive (a collective who preserve flyers, zines and documents from decades of oppositional political action). Seeing an anti-gun protest and the buzz of a Bernie Sanders rally immediately after leaving. As well as more the routine people-watching on the streets and subway was inspirational, enriching and familiar to my soul. So far away yet I feel I know that bit more surely who I am and what ideals in life are and mean. Leeds is a wonderful place to come home to, despite the end-of-trip blues clouding me for a couple of days this time as usual. With Chunk and bands and some of the best music venues I’ve been to right on my doorstep and a supportive, growing community. It’s home, as much as I feel like I’ve left pieces of myself elsewhere that I’d like to reunite with.

Nervous Twitch Interview

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I’ve been a massive fan of Nervous Twitch since my band played a rather odd but lovely gig with them at The Fenton where we bonded over a love of Dan Electro basses.  They’ve just got better and better (evidenced by their incredible album and 7″ released last year) and they harness a wonderful and unique blend of ’70’s New York punk with Dick Dale guitars and a lovely layer of New Wave.   Believe me when I say you’re in for one heck of a treat at the February 7th gig.  Here’s a few words with singer/bassist/keyboardist Erin:

How would you describe Nervous Twitch in five words?

New-wave-punky-pop-songs

How did the band form and what changes have there been since?

Well, it would be hard for me to answer that without writing an essay, but in brief; Jay is the only original member, I used to be the drummer, Ash has been with us a long while and Emma a short while. We’ve had a few line-up changes in the past, however, it’s meant that we have met lots of awesome people and had the opportunity to play with loads of great musicians, but it works really well at the moment and I personally would love it to stay that way!

What’s being a band in Leeds like?

Having Jumbo Records in your bands’ hometown is great; they have always supported us with new releases. Leeds has a wide variety of different venues or promoters that has given us the opportunity to play with loads of awesome bands. It’s also handy being central in your own country when it comes to playing out of town.

What would your ideal gig line-up be?

We’d like to say Ramones, The Beatles and Nirvana, but with the majority of members being dead: a super group of the left overs maybe? But that would mean 3 drummers and a bassist. Emma suggested that maybe they could be put in a big brother style house and forced to write an album. Would it be any good? Have I answered the question?

Favourite cake of each member?

Ash: Battenberg

Emma: Victoria Sponge

Jay: Cheese Cake

Erin: Jaffa cakes.

What can people coming on Feb 7th expect?

Pop-y, Girl Group esq songs with a punk, Eddie Cochran rock ‘n’ roll vibe. Also the pre-sale of our new single! (Out on Punkfox records).

Sonic The Comic Interview

Sonic The Comic will be headlining the next Youth Anthems gig and I couldn’t be happier about it.  The duo play computer game influenced indie-pop/punk and will get you dancing and thinking in equal measure.  Lovely music played by lovely people!  Here’s a little bit information about them, so get familiar and then get down the front when they play.

What are your names and where do you come from?

I’m Stef, from Wolverhampton, and she is Sarah, from Northampton.

What’s the history of Sonic The Comic and what’s with the name?

We started writing little cute twee indie-pop songs together when we starting hanging out in a romantic capacity, and over time we’ve gotten a tiny bit less twee and now we sound like a bit of a shouty indie-pop videogame band! We’ve just finished our second album Atoms, and it’s actually really good!

The name came from finding out that we were both huge fans of the UK Sonic the Comic comic in our separate childhoods, and it just seemed like a good name to have as our band name. I’m secretly wondering whether we’ll ever be told to stop using the name.

Making music, making computer games, making comics, making videos, making drawings. What came first for you two and how do you actually find any time to play computer games??

Sarah is arty through and through, she arts all the time. She is an artist first and when I can get her away from her desk we occasionally manage to write songs. I’ve always been music first and make computer game-y music in my spare time. We started making a videogame but really didn’t get far – it’s still on our to-do list!

Sarah always has her PS Vita close by so she plays loads of quick games on Binding of Isaac, which she is basically obsessed with. I play loads of different things but I got really into Dragon Age Inquisition recently which was a really nice big RPG game. I guess we fit videogames into all the spare slivers of time that we get!

What sort of bands do you normally play with and what sort of places do you usually play?

We play with indie-pop bands mainly! In little cool venues and living rooms and bars. One day I’d like to play an outdoor festival stage maybe!

What bands would you consider an influence?

We’re both really into a guy called Fishboy from Denton, Texas. He writes really great songs with great overarching storylines and really good lyrics. I’ve always been a big fan of Los Campesinos and Johnny Foreigner and I think that definitely shows up in places – Los Campesinos especially ignited my love for shouty vocals and bleepy synths. I really like Hop Along and would love to write stuff like them – they’re pretty special. I got into Ted Leo and the Pharmacists recently too, let’s say those as well. Oh! I really love Trust Fund too at the moment, Ellis writes the best choruses.

OK tops… Top three bands, cakes and computer games?

Stef Bands – Hop Along, Brand New, Johnny Foreigner Cake – Jaffa, French Fancies, Chocolate Fudge Games – Dragon Age Inquisition, Final Fantasy IX, WWE 2K15

Sarah Bands – The Mountain Goats, Barenaked Ladies, Alkaline Trio Cake – Sarah’s Mum’s Chocolate Cake x 3 Games – Binding of Isaac Rebirth, Digimon World, Borderlands 2

Finnmark! Interview

At our gig on May 10th we have the phenomenal local indie-popsters Finnmark! playing.  Here’s a quick introduction to them..!

What’s your name and where do you come from?

Is that a Blind Date reference? Well Cilla, we’re Finnmark! and we’re from Leeds!

Nice reference spotting!  Where does the Scandinavian love stem from? Is it the shared cold temperature with Leeds?

When the band first stared I (Edward) was hanging around in Sweden quite a lot (the band actually started in Gothenburg), and the first songs were written around that time, and Scandinavia crept into the songs and the bands aesthetic.

What bands would you see as the top influences for Finnmark! ? (I’m hearing a lot of Divine Comedy and Magnetic Fields?)

Well there are two bands that are staples of our DJ sets! Yeah, we love both of them. There is also a strong Field Mice and Another Sunny Day influence, along with some Scandinavian bands like Northern Portrait and Cats on Fire.

Why the exclamation mark? Do you shout a lot?

It makes you pronounce Finnmark! the correct way! It’s purely grammatical!

Top three ice cream flavours?

I, Edward, can’t really eat ice cream, only the soy one, and that is nearly always vanilla, so I will go for a classic Neopolitan. Strawberry, vanilla and chocolate.

Favourite Scandinavian fact?

Scandinavia publish more books per capita than any other are in the world!

What Leeds band should we all go out and listen to right away?

The Seven Inches!

Closing words?

Buy a guitar, write some songs, start a band

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Patrick Craig Interview

On May 10th we have Leeds via Kingston’s Patrick Craig opening proceedings for us so I thought we should find out a bit more about this chap before he brings his folk-punk sound to our ears…

Could you introduce yourself and tell us how you ended up playing guitar in Leeds?

Hello. I’m Patrick. I’ve been playing guitar since I was a kid, and gigging since I was 16. In 2012 I moved to Leeds to start a degree at Leeds College of Music, and thats how I’m here.

What are the positives and negatives of being a solo performer rather than being in a band?

Positives – I can take gigs without having to check stuff. I don’t have to split the rider with anyone. I don’t argue with bandmates.

Negatives – it’s quite lonely. You make friends on the road touring and that but sitting on the last train at Manchester Airport at 2am with broken headphones isn’t that fun. And my brain is dull, so i just argue with myself…

How does being an artist in Leeds compare to other places you might have lived?

I’m from south west London, and there is a cool local scene there, but its a little limited, because its not too hard to head into town or anywhere else for shows, so there isn’t the diversity in the concentrated area that there is in Leeds. I think in Leeds there is much more of a DIY ethic in that bands just want to play, rather than have moved to London to find management. I’ve never had a bad show in Leeds either, the audience has always been lovely, whereas I’ve had a few rude people in the past in other venues.

What would you recommendations be for other bands/performers both in Leeds and the rest of the UK be right now?

My favourite local bands at the moment are Trudy and Irish Boxing. They’re some friends from Uni so I’ve seen them from the beginning, but they’re both great bands. Another recommendation would be Sanchez vs. Fighter Pilot, who are an amazing band in Kingston. They’ve got a great local fancies, but as soon as they hit they’re going to hit hard, so make sure you check them out.

What advice would you give to people who wanted to pick up an instrument and start off as a musician?

Start. Just do it. It’s going to be tough, you’re going to get frustrated, but do it. And do whatever makes you happy with it. You want to play Bach sonatas on piano? Put the work in and it’ll pay off. You want to write punk songs on two strings of an acoustic guitar? Exactly the same. There’s no trick to getting into it, or a secret thing to do that makes it easier, you just have to do it.

Best gig you’ve been to in the last six months?

I went to see Tiny Moving Parts, Into It. Over It. and Modern Baseball not that long ago at the Brudenell. That was a crazy show, some amazing musicians playing some great songs.

Top three gigs attended?

My top three gigs where I just sat and watched the headliner with awe:

Get Cape Wear Cape Fly – Final tour, Brudenell Social Club September 2014 – I cried, I’m not going to lie. Chronicles of a Bohemian Teenager is an album that hit me at the right time, and was one of my first major influences.
 
Andrew Jackson Jihad – The Fighting Cocks October 2014 – I’d only heard a little bit of them before I got booked for the show. So I listened to a bit more, and actually managed to catch an in-store from the frontman Sean before the show. Acoustic he was great, but as a band they were incredible. It was a tiny room, and the perfect atmosphere for an amazing show.
 
Beans On Toast – New Slang July 2014 – An education in crowd control. A perfect showman completely owning the room, and getting everyone involved.

Travels By Telephone Interview

At our next gig on February 22nd we have the rather marvellous Travels By Telephone (aka Mr. Jamie Wilson) playing for us.  So here’s a few words from the man himself to help you understand the machinations behind it all so you can fully enjoy the experience!

What’s your name and where do you come from?

Hello. My name is Jamie Wilson and I reside in a bungalow in York where I have removed most evidence of the modern age and replaced it with 1970s charity shop treasure/tat (any remaining evidence of the modern age has been covered over with wood-effect sticky-backed plastic). I was born in Wellingborough, and we moved to Leeds when I was very young, so the only vague recollection of Well-bro’ I have is sliding down the hollow innards of an enormous wooden snake (possibly an adder) in a shopping centre circa 1980. It was probably terrifying. Wikipedia has since informed me of the area’s agreeable geological qualities, when, in the predominantly agrarian medieval period, the combination of access to fertile, if flood-prone, valley bottom soils and drier hillside/ hilltop soils was favourable for a mixed agricultural base. Which is nice. Weirdly, the enormous wooden snake (possibly an adder), wasn’t mentioned

Have you always performed solo and isn’t that scary at times?

Up until a couple of years ago, I had always only performed solo; I’d been in bands, but we’d never got to the point where we got it together enough to play a gig. And it was always something I’d wanted to do, so now I have, and I am very chuffed about this. Playing solo live can be a tad scary sometimes, but nowhere near as much as the first open mic I played; I followed a very loud doom-folk duo covering Losing My Religion on an incredibly (but possibly not incredible) metal-sounding overdriven mandolin, which I couldn’t not hear from the cubicle within which I was hiding/honing my extensive deep breathing skills). And then I twiddled out some incredibly (but possibly not incredible) shy twee folk numbers. It was pretty hard work, but afterwards I felt like this was something I wanted to definitely do again (playing music live I mean, not hiding in the bogs and quietly freaking out, although that can sometimes have its moments too).

I have a stammer of varying proportions which obviously adds an extra degree of scariness of standing up in front of a room full of folks, but it feels liberating and makes me feel pretty amazing to not let it stop me do something I really want to do. It feels a bit like standing on a rocky cliff top on a very windy day and shouting your full name, and possibly a choice swear word or two inserted into your favourite self-affirming phrase, into a stormy swirling sea (if you haven’t done this before, give it a go; you might enjoy it). There’s been gigs where I haven’t spoken between songs as much as I would’ve ideally liked to because of it (on occasions this has probably worked to my benefit), but I don’t think I’ve ever stammered on stage. I think it’s important to recognise that there’s often a part of nervousness about a situation that’s actually excitement, and to shine your noggin-torch (technical psychology term) onto the excitement part and focus on that; it’s too easy to not do something that you’re nervous about, even if it’s something you really want to do. With that thinking, I’ve recently starting performing solo spoken word, and I love it a lot.

As far as the not-performing-solo goes, last year I wrote a spoken word and music show with York word-wonder wizard Henry Raby (‘Practise Patience’), which we’ve been touring together, and I played glockenspiel/keys/melodica/shaky egg thing/tambourine (and pretty much any other implement available from the musical instrument section of the Early Learning Centre) in Burial in the Sky. I really like the independence (and control, I guess) of playing solo, but I love the chum-factor and more-opportunities-for-messing-about of performing with others. There should generally be more-opportunities-for-messing about, always.

Tell us a bit about the gigs you put on in York? What do your neighbours think about bands playing in your lounge?

I’ve been putting on gigs as Owls Owls Owls for around five years- they are mostly unplugged, small, friendly affairs to help out folks on tour, and put on local folks also. I’ve been trying to avoid using typical ‘music venues’ as much as possible of late, so I’ve been putting on a few house shows, and using a church in town for the bigger ones. There’s a windmill nearby which I have my eye on, and I am still to organise that ‘summer evening picnic gig in the woods’ show I’ve been daydreaming of for a yonk. I’m conscious that the majority of gigs (in York, as with most places) feature all-male line-ups, and I always try to not perpetuate this. I also recognise that it is very important that as a ‘promoter’ I am responsible for doing what I can to make the show happen in as safe a space as possible, and I do my best to do that. My next door neighbours are really into the house shows which is helpful! They came to the Ghost Mice show, and bought all of the bands’ CDs. They couldn’t get a baby sitter for the last one, so asked me to see if everyone could play louder so they could listen through the wall. They are the best.

What other bands and artists are you into at the moment?

This last week I have very much enjoyed the exciting precarium of dancing around in my socks on a polished laminate floor to the new Wave Pictures record, and have recently developed an unrelenting enthusiasm for Sunchyme by Dario G (played at volume, it is a truly joyful and uplifting classic of our times which I had somehow previously regrettably overlooked).

Also, of late: Ravioli Me Away, The Lucksmiths, Night Flowers, Martha, Two White Cranes, and Ferret Legs are all a treat.

Top cake, book, poem and song at the moment?

Cake-wise: I am a large fan of That Old Chestnut’s peanut butter tiffin. It is a dream, and they will have a stall at the gig on the 22nd which is a fine example of a fantastical happenstance.

Book-wise: I’m currently reading ‘No-one Belongs Here More Than You’ by Miranda July. The idea of teaching people to swim in a non-water-based environment (a flat) is a very beautiful thing.

Poem-wise: ‘Love after Love’ by Derek Walcott.

Song-wise: Always ‘Higher and Higher’ by Jackie Wilson (the Musician one, not the My Mum one, although I reckon she could belt out a killer version of it also).

 

So that was 2014..!

Thank you so much to everyone who came to the gig last week, I think we can agree that a good time was had by all?  I was blown away by all of the bands, they are all at the top of their game at the moment so to have them all on one bill was a real treat (as were the cakes as ever – good link?).  It was great to have Christine from PAFRAS with us and she seemed to be getting in the spirit of the gig too!  We raised just under £160 for the charity once Gift Aid was included so give yourselves a good pat on the back.  Our next gig will be in February and once again I’m really happy with the line up.  There’s more information on our gigs page but here’s the poster.  Any questions or thoughts for how we can improve in 2015 or what we should continue with then just get in touch.

 FEB

The Amistad – Interviewed!

I’m so happy we’ve got The Amistad playing our next gig; they’ve been a mainstay of the UK DIY punk scene for quite some time and are lovely folk too.  Here’s a few words from them before they rock up to our PAFRAS benefit on November 23rd. There’s more information on the gig on our Facebook page here

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YA: Could you give us a potted history of The Amistad? I’m aware you’re seen as a Leeds band but I know you’re spread a bit further now?

A:   We formed in 2007, originally a four piece but we’ve been a three piece since late 2009. The plan was to make rough-around-the-edges DIY pop music that was hopeful in a sort of bitter and cynical way. Well that’s the heavily revisionist/post-hoc rationalised version of the story anyway. We’ve done three split 7″s and an album since then, but it’s a good three years since we’ve recorded anything, and we probably don’t play as many gigs as we’d like. We’ve always been a band with no fixed abode really: when we started two of us lived in Sheffield and two in Leamington Spa. Now we’re split between Liverpool, London and Sheffield.

YA: How did your relationship with Bombed Out Records form and have you been involved with any other labels?

A:    Me (Mike) and Rob used to be in a band called Four Dumb Kids. Terrible name. Anyway, we were big fans of a lot of Bombed Out bands and we used to send Steve a lot of our (embarrassingly bad) recordings in the early days. Hopefully they were on sufficiently low quality CD-Rs to have not survived the aging process. By the time The Amistad got going we’d worn him down, he very kindly offered to put out our album and has been dead encouraging throughout. ROIDH and Disillusioned Records co-released the vinyl version of the album – Wayne is a lovely bloke and a fellow Wednesdayite so always a pleasure to work with – and we’ve had splits out on ROIDH, Document, Disillusioned and All In Vinyl, all of which are basically our friends’ labels and very nice people.

YA: Am I right in thinking your last release was the (rather incredible) “Kept Under by a Generation of Ghosts”? It feels like that might have been a little whilst ago, so what’s next?

A:   That’s very kind. We actually did a split 7″ with New Bruises in 2011, a year or so after the album came out, but that’s all. We’ve just booked some studio time to record album number two, which has felt like a long time coming from our point of view, so hopefully it’ll be worth the wait!

YA: What have you been up to since that album came out? Inside the band and outside!

A:    Well we did the split with New Bruises, and we’ve done a few tours, but other than that not a great deal to report band-wise. That sounds much more negative than it’s supposed to. We’ve really enjoyed playing gigs in various different places, got to play with some amazing bands and made friends with some really great people. The spending time with people bit is always the best bit, even though we might seem a socially awkward bunch at first. We played some gigs around Europe in 2012, including all the way up to Finland, which was definitely a high point. We’d love to do something like that again. Outside the band: I’ve been trying to do a PhD (was meant to take three years, just started my fifth), Rob’s moved to Liverpool, done a master’s, is now starting his PhD and expecting his first child, Frank’s moved to London, done some travelling, played in a couple of different bands and has just started a new job.

YA: What bands have been floating your boat recently?

A:   We’ve really enjoyed playing with Austeros from Cheltenham and Guerrilla Monsoon from Birmingham. I know they’re not that new but I really like Good Grief from Liverpool. There’s usually some Weakerthans and Lemuria on the go in my house. And some 90s guitar pop.

YA: Youth Anthems are strident supporters of cake at gigs so what’s The Amistad’s top three cakes?

Mike: the lemony one, the carroty one and the walnutty one
Frank: coffee, lemon drizzle, (vegan) cheesecake
Rob: cheesecake, carrot cake and, assuming it qualifies as a cake, croquembouche. I suppose that makes cheesecake, lemon drizzle and carrot cake the Amistad’s top 3!

Christine Majid (PAFRAS Manager) Interview

I’m immensely grateful that Christine Majid (the Manager of PAFRAS) has taken so much time out of her busy life to answer some questions that we sent to her ahead of our benefit gig for the charity on November 23rd (more information on that here).  It’s a pretty big interview but it really is worth your time reading to find out about an incredible organisation who are working in your City doing phenomenal work.  Have a read and then when you come to the gig on the 23rd know that all money from the door will be going to them and feel free to let us keep your spare change to add to the donations!  Christine will be at the gig running an information stall so make sure you say hi and buy her some cake!

Here’s the Facebook event for the gig:

FOODBANK

(Christine at the Food Bank – on the right)

YA: Could you give us a history of PAFRAS?

C: In 2003 I set up an organisation called Positive Action for Refugees (PAR), and had a Management Committee of 4 who backed me and had faith I could deliver the service. Starting off alone in an old house, in Harehills (with no heating or hot water and a leaking roof!) PAR worked with Refugees and Asylum seekers mainly the Iraqi Kurds, who were fleeing Iraq at the time and Iranians and Somalians.  The project centred mostly on integration, running English ESOL Classes, Asylum casework and support.

After 6 months we employed the first part time worker who was  from Iraq himself and spoke fluent English, Arabic and Farsi. PAR constantly adapted to best meet the needs of some of the most marginalised people in our society.  Funding was running out at the same time that Immigration Legislation was rapidly changing, eroding the rights of Asylum seekers, one could see that hundreds of asylum seekers would become homeless  not just in Leeds but thoughout the country, with no recourse to any public funds, no right to employment and extremely difficult to submit an email.

PAR too was made homeless and I had to close down, just before I left the premises, I received 15 people who had that day been evicted from their accommodation, who arrived at PAR with their little belongings in a black bin liner and had nowhere to go but the streets, and this became their home with sub-zero temperatures setting in.

All I could do to help was to work on the streets with an old 2CV car taking food, blankets and hot drinks; the car was my office as well! Consequently recognising the severity of destitution polices, I needed to open a drop in, to respond to the very basic needs of food, warmth, clothing and shelter, there was a humanitarian disaster was happening right in our back yard.

A Kurdish tailor who I had helped and many from the Kurdish Community asked me to go to the basement of his sewing shop (very small) with no windows to see people who required help, it became so busy, and that the old 4 singer sewing machines turned into desks! and the queues ended up half way down the streets!

Those days bring back wonderful memories of the beautiful warm bread, cheese, honey, and tea that were constantly supplied for me; I was very well looked after.

A Yorkshire Post journalist visited and, wrote an article on many of the people arriving for help and myself.

It took over 6 months working on the streets, and then a person who I will be forever grateful to, backed me and I was able to open the very first PAFRAS drop in Centre with a part-time worker in 2005, renamed PAFRAS and rented an office in an attic in Harehills

YA: So what actually is PAFRAS now?

C: PAFRAS is a Voluntary sector, non-for profit Charity, it is a grass roots organisation working in solidarity with asylum seekers and refugees , promoting social justice, through direct assistance, individual casework, mental health support , research  based interventions and analysis. PAFRAS works on the front line of with destitute asylum seekers, many who cannot be returned home, but are left in a life of Penury.

PAFRAS has a very small Team consisting of the Manager, Coordinator, one full time asylum caseworker, one part time asylum caseworker, one part time mental health worker and that’s it!!  We also have 8 trustees on board.  Our small team works in an holistic way with the client group who access our services and with the multi- complex needs they present. Since 2005 we have received more than 50.000 visits to the Drop In Centre in Harehills, 13,300 Casework sessions, distributed 25.000 food parcels and provided 43.00 meals to destitute, asylum seekers.

We estimate that the last 6 years we have distributed between 70 – 80 tonnes of food in food parcels, to destitute service users 100% is donated. We extremely grateful for all the people, organizations the community donate to us on a regular basis.

YA: What do the day to day activities of the Charity look like?

C: They are extremely busy, challenging, the phone never stops ringing, clients coming in with crisis situations, emergencies, not enough hours in the day, some days we are like ships that pass in the night, always have to be flexible so much  happening on a daily basis.. My own work is now is strategic , fundraising to try and keep the doors open for people, overlooking all sites, supervising and supporting the staff, attending meetings, writing reports, and giving talks to raise the awareness of the plight of destitute asylum seekers in  Leeds and the UK, no more than now is it so relevant as we are seeing a move to the right. In mainstream politics, not just in UK but also on the European stage, The politicians, press and media have galvanised the immigration debate as a vote winner, everything that is wrong in the country is blamed on Immigration and too many immigrants.

YA: How have the recent Funding Cuts affected PAFRAS?

C: Recent Funding Cuts have affected PAFRAS from the Charitable Sector who give grant funding, many who have slashed their grants by half, only a few give core costs for (rent, utility bills, phone lines, fax, rent, printing etc.  We do not get any government funding. This is particular difficult for causes such as PAFRAS, and sustainability of staff and a vital service is difficult as finance is so tight.

In July 2011, PAFRAS had to reduce our casework provision, from 2 drop in’ per week to 1, we had hoped that it would only be a temporary change.  However in October 2013 , PAFRAS had to implement a further round of cuts to our staffing and services due to the extremely challenging funding situation. From mid-October we lost our communications Officer post and hence our Newsletter, as well as reducing the hours of myself and the Co-ordinator role.

These decisions tough though they were, had to be taken in order to secure the long term future of PAFRAS. This unfortunately came at the same time we heard that Refugee Council had lost its contract to deliver services to Refugees  and Asylum Seekers in Leeds from March 2014.  Things had never been darker for the sector in Leeds with the whole refugee and asylum seekers sector turned on its head.

However with bids pending and our sheer determination and resilience , we were able to make it through, although I am still looking for grants for two posts that will come to the end of grant funding in March 2015

The logistics of PAFRAS are huge, We run a weekly drop in at St Aidans’s Hall in Harehills where we receive as many as a 150 people on a Thursday accessing, A Hot meal, Food Parcels, Toiletries and Clothing, Asylum Casework, Red Cross Vouchers, Access to register with a Medical Practise.

I have developed the project into a multi – agency  format, where visitors to the drop in can access  a variety of services under one roof, we have formed solid partnerships with the Red Cross PAFRAS has worked with the Red Cross (since 2005). They also provide a caseworker from the Red Cross and Red Cross Vouchers for food, for those rendered destitute. Skyline also gives advice regarding sexual health and HIV screening and testing is also carried out at the drop in. York Street Health Practise who attend the drop in registering clients with a GP and a Dentist and filling in HC2 forms for medication and much more. Hamara who supply cooked meals alongside the Muslim Brothers and Sisters who cook and provided a monthly meal to well over a 110 people per month.

YA: If people want to donate money or other things how do they go about it?

C: By going on the PAFRAS Website, http://www.pafras.org.uk, where we have a Just Giving site or you can send a cheque to:

Christine Majid Manger

PAFRAS Unit 14

Chapeltown  Enterprise Centre

231-235 Chapeltown Road

Leeds LS7 3 DX

Articles of clothing, food  nappies and toiletries  can be dropped of at the office address above , only make sure some-one is at the office base by telephoning  LDS – 262 2163, or emailing christine@pafras.org.uk

YA: What are the challenges of running a charity like PAFRAS?

C: The key challenge of running a charity like PAFRAS is funding, sustainability and resources. There are high demands on our services, we have been busier than any time in our history and the impact on PAFRAS after the closures of Refugee Council and Refugee Action in Leeds, in March of this year has been huge.  We require funding for more staff, at a time when funding grants have been slashed by so many grant givers. Also we are not the most popular cause to fund.

YA: How do you feel that PAFRAS fits in as an organisation in Leeds. What is it (if anything) about the city that shapes the charity?

C: PAFRAS is a charity that has helped to facilitates dialogue between different communities which may not have ordinarily come into contact with one another therefore creating a fusion of culture language and background bringing a further enriching experience to the diverse city of Leeds. (Over 50 different Nationalities from all over the world have visited PAFRAS).

YA: What sort of music do you listen to in the Office

C: it’s Extremely rare that we can listen  to music in the office due to the type of work we do , which demands high concentration levels working on cases, mental health and crisis issues.  However I Love the Pogues and Biscuit Head and the Biscuit Badgers!

YA; What does the term “Asylum Seekers” actually mean?

C: Asylum seekers (and by implication destitute asylum seekers), are not a homogenous group. They come from a variety of ethnic, national, cultural, linguist religious and social backgrounds. People who have fled human rights abuses in their home countries only ask only for the right to remain here and seek sanctuary, where their lives will no longer be in danger.

YA: Why do people Flee?

C:  For a wide variety of reasons;

  • Fleeing repressive and conflict riven countries around the globe
  • Fear of death due to war ( ethnic, civil, military ) and fear of organized violence
  • Abuses by security forces or armed opposition groups (rape and beatings)
  • Torture and Inhumane treatment
  • Unjust systems including detention without trial or unfair trials
  • Death penalty
  • Massacres or the threat of massacres
  • Political repression or religious intolerance
  • Persecution because of ethnicity
  • Gender based human rights abuses, e.g. honour killings, forced marriages, FGM
  • Forced into sexual slavery
  • Conscription into the army
  • Exploitation or abuse of power by someone who has authority or economic power.

Countries where there is ongoing, conflict generalized violence and well documented human rights violations, sadly is a global reality, where torture and ill- treatment continue unabated. Although the UN Convention against Torture, ratified by the UK, obliges states to provide the fullest rehabilitation to torture survivors, sadly   it is clearly not being fulfilled as many asylum seekers who visit PAFRAS, end up destitute, no aspect of destitution can be defined as rehabilitation, when victims of torture end up on the streets.

YA: Why do asylum seekers become destitute?

C: As PAFRAS’S work focuses first and foremost on tackling the problems of destitution and refused asylum seekers, it is important we that we look at the polices that were introduced by the New Labour Government of 1999 , where enforced destitution became a part of immigration control. In 2002 the removal of the right to work was implemented. Due to drastic cuts in Legal Aid in 2004, it was virtually impossible for asylum seekers to be able to secure a lawyer at Appeal Stage, leaving asylum seekers evicted from their accommodation, to find themselves on the streets with no permission to work and without recourse to any public benefits.

Many successive governments have introduced legislation followed that has eroded the rights of asylum seekers who are divested of all civil and social rights.  Many asylum seekers at end of process who are destitute that arrive at PAFRAS for assistance  tell us they would rather die on the streets of UK than be returned to their countries of origin due to ongoing conflict, wars and human rights abuses, as well as other factors mentioned below. Refused asylum seekers are not all the same: They include people who:

  • Cannot leave the UK through no fault of their own (e.g. they are stateless and have no country to return to), their governments will not provide them with travel documents, preventing their return, they are too sick to travel or there is no viable route to return home).
  • Have been in the UK for a long period and have developed strong ties with the UK (e.g. entering relationships and having children).
  • Have a pending Judicial Review
  • Think it is unsafe for their return because of armed conflict, repressive regimes, the brutality of torture and ill treatment. In some cases the UK Government itself recognizes that it is not safe for their return, even though they have not been granted asylum in the UK, (e.g. refused asylum seekers from, Somalia, DRC, Iran and Iraq).

The majority of asylum seekers that visit PAFRAS fall into this group.  Nearly 73% of destitute asylum seekers visiting the drop in services were from: Eritrea   Iran   Iraq   Democratic Republic of Congo Palestine

Countries where there is ongoing, conflict generalised violence and well documented human rights violations, sadly is a global reality, where torture and ill- treatment continue unabated. Although the UN Convention against Torture, ratified by the UK, obliges states to provide the fullest rehabilitation to torture survivors, it is clearly not being fulfilled as many asylum seekers who visit PAFRAS, end up destitute, no aspect of destitution can be defined as rehabilitation.

YA: Is there any more information about PAFRAS that you would like people to know? Could you give us a more detailed view of the services you provide perhaps?

PIE

C: These figures demonstrate the huge unmet need within the city of Leeds and the surrounding area’s for those rendered destitute, with no permission to work, enduring extreme poverty, hunger, mental and physical health problems and multiple forms of abuse: During 2012-2013 PAFRAS, delivered the following front line services: 1,535, Casework one to one sessions with clients

629    Mental Health Sessions, and one to one support

6,719, Hot Meals provided by PAFRAS and the Community

3,932 Food Parcels packed by Volunteers

Last year front line services offered to destitute asylum seekers, consisted of: • Hot Meals

  • Food Parcels
  • Toiletries Clothing
  • Maternity packs and clothing for pregnant women
  • Nappies and Pushchairs
  • Small Hardship Payments
  • Red Cross Voucher Provision
  • Travel tickets to Solicitors outside Leeds
  • Bus Tickets for Health Appointments
  • Access to Legal Advice given by Solicitors
  • In house Mental Health Worker – Crisis Intervention Work
  • Experienced Support/ Caseworkers
  • HIV screening and Testing

 

Hot meals served:

From 2012 – 2013 totalled 6,719. Destitute asylum seekers Face both food poverty and malnutrition. When a claim for asylum is rejected the claimant has to leave their accommodation in less than a month, consequently unable to work and denied a range of welfare services, they are left destitute.

One of the implications of such a policy decision is that in many cases, almost instantaneously, a “refused “asylum seekers become vulnerable to malnutrition. For many food is not available, and with out access to money, the inevitable result is akin to starvation. Under International Law this is a War Crime

The food that PAFRAS provides in the form of hot meals and food parcels acts as a lifeline for those most in need. Yet however it works barely to sustain people who have subjected to conditions of penury in line with asylum policy.  Destitution Is institutionalized by the asylum system and the malnourishment that people suffer is located within this policy movement.  Inadequate food consumption occurs alongside and in conjunction with homelessness and acute vulnerability.

PAFRAS consequently serves to provide basic sustenance for those left destitute. Two hot meals and two food parcels per week can never provide an adequate diet. PAFRAS relies heavily upon donations. We thank all our donors who kindly donate food and to Holy Rosary Church who donate finance every month to cover the costs of providing hot meals, as well as Costco who provide fruit, bread and cakes and occasionally meat to help us towards assisting those who have no access to food.

PAFRAS would like to thank Hamara  for the meals they provided throughout Ramadan and at Eid for all our service users. Hamara also contribute meals twice monthly, on average feeding a 120 people per session who are in desperate need of  a hot meal.  PAFRAS and our service users give our most humble and heartfelt thanks for your kindness and compassion. The food programme logistically and operationally is a huge job, which is overseen by our Food Co-coordinator, making sure service delivery is out on time as well as making sure the food room site is running efficiently, kept clean and there are enough food stocks to make up at least a 100 food parcels a week. and over a 110-120, hot meals.

Three volunteers spend on average twenty five hours a week, splitting down, rice, pasta, tea and cereals to place in food parcels as well as rotating the stock and making up hygiene packs. This year the volunteers made up 3,932 food parcels. This work is done at our food store based in Harehills near to the drop in centre and is largely unseen, but it is a very crucial part of PAFRAS services.

Legal work

PAFRAS  Supported Clients with 1,535 Casework Sessions.  During the financial year 2012-13 PAFRAS caseworkers referred 153 clients to legal aid lawyers. In the same period PAFRAS referred 15 Clients with multi complex and challenging cases to Independent experts. PAFRAS caseworkers provided 101 “ means” letters to help destitute asylum seekers secure legal aid from their new representatives  and recorded 440 other contacts ( by phone, letter and email) with clients representatives.

During 2012 -13 Twenty Five PAFRAS clients were granted some form of Leave to Remain in the UK by the Home Office.  Caseworkers made a large number of referrals for a variety of different accommodation and support services, these comprised of some third sector and some statutory sector (Shortstop, St. Vincents De Paul Society, Abigail Housing Project).

Usually as the result of a client having made a fresh claim, sometime because they are medically unfit to travel. Although we can complete applications ourselves we refer people to the Refugee Council for Section 4 applications to avoid duplicating this service unnecessarily (they are funded by the Home Office to provide the service). When making section 4 application referrals we will always assist clients to gather the necessary evidence to establish that they are destitute.

Many destitute asylum seekers tell PAFRAS they would rather die on the streets of UK than return to their countries of origin. In our experience the large numbers of destitute refused asylum seekers come from countries widely known for severe human rights abuses  ( Iran, Eritrea, or with serious issues of generalized conflict (e.g. Democratic Republic of Congo).

PAFFOOD