The Cut Ups – Interview

cutups

I’ve been lucky enough to have known The Cut Ups since about 2006 when an old band of mine played with them.  Since then I’ve been in three more bands and they’ve kept on trucking, getting better and better with every album.  They’ve gone from being the new band on the block to the old hands.  Reliable but always progressing The Cut Ups really are a constant ray of sunshine and a source of hope and inspiration to everyone who knows them.  I really can’t praise this band enough as people and artists.  You are in for one heck of a treat.  If you get the time please talk to them too as they really are the nicest bunch around.  If you haven’t heard or seen The Cut Ups before then it really is a joy and an honour to introduce them to you so without further ado here is the one and only Jon Curtis…

Let’s start with a generic one for those who aren’t in the know – who are The Cut Ups and where did it all begin for you?

That’s not as easy a question as one might imagine! The Cut Ups are Dan, Pippa, Jack, Reza and Jon (that’s me). However, for these shows our friend Robin is playing the drums instead of Rez. It all began nearly 12 years ago at The Cavern in Exeter. We played our first show on December the 23rd, 2004, which was my 22nd birthday. I wanted to pump up the jams in new and extraordinary ways, so Rez and I set up with a fella called Adam. The lineup that made our new LP (“The Nerves”) has been solid for about 4 years I believe.

How do you think coming from Exeter has influenced the band’s development and sound and do you see this impact on other band’s from the area?

Well, Exeter is quite isolated actually. If you live there, its the main place where everything happens for you, you don’t often go elsewhere – so i guess this means that lots of us get the same influences in similar ways. Everything is centred on the Cavern (which Pippa runs with Dave from Exeter punks Annalise (from No Idea Records, fact fans)) which operates as an alternative venue, but its actually way more than that. As such, there’s been twenty years of community built there around a mix of UK indie and DC punk rock kinds of things, which loads of bands have imbibed to varying degrees. Those bands include and have included Muncie Girls, Annalise, The Computers, Kids Near Water, Tyler, An Emergency, OK Pilot, Shit Present, Some Sort of Threat. For me, the big thing i took from Annalise (around whom the best ideas revolve, and who i got to play guitar for on their last LP) was that there’s no value in pretending that you’re from anywhere else. I’d be a terrible Liverpudlian, or Leedsy, but no-one can doubt my legitimate Exetertonian (that’s the real term!) status. If punk rock is about honesty, then I’d be daft to act otherwise.

What have your previous impressions of Leeds been and what might you be expecting this time?

I really like Leeds, and have always enjoyed playing here. When we played here with Franz Nicolay (from The Hold Steady) as his backing band we got to stay in a Hold Steady mega-fan’s mansion. So i have had very high expectations since then. I’m expecting a butler to serve me lunch, and to have to wear a top hat on stage.

We get a lot of younger people at our gigs and therefore always ask bands if they have any advice or tips for young people thinking of starting out playing music.  What would yours be?

Go and watch as many bands as possible – It’s the best education possible. And listen to Fugazi every day.

Seeing as we have a fair few miles between Exeter and Leeds are there any bands from the South West we might be missing out on that we should investigate?

There’s loads but you’ve probably heard of most. You can have a look at that list up the page a bit, but Woahnows from Saltash are a really really great quirky post hardcore band (you’ve probably heard of them), and I love a hardcore band from Exeter called Fall Children. They are very noisy.

You’ve been going now for over ten years, how do you find managing the changing pressures of life (work, family, friends etc.) that can impact on being in a band?

I just plough on regardless.

If you could recommend one book, film and record to people that has had an impact on your growing up, what would they be?

Yeah, a book would be Great Expectations by Charles Dickens – your friends might get embarrassed by you, and shift on, but you’re alright. keep going.

 A film – I watched La Vita E Bella (Life is Beautiful) when i was 15 and was overwhelmed by the idea that goodness can overcome the effects of the bad things in the world. That hope is more powerful than anything else.

 A record – an impossible question! Today i’ll say Billy Bragg’s first EP – “Life’s A Riot with Spy Vs Spy”, which always sounds like the voice of a young person not settling for what they’re given.

I’m aware that you have had a huge role to play in Exeter with regard to food banks.  Could you tell us a bit more about how you became involved with this area and your thoughts on the huge increase in the use of Food Banks over the past 2-3 years and where you see this going moving forward?

I started a food redistribution project with my friend Martyn – we take “excess” food from supermarkets/wholesalers/manufacturers (the stuff they’re throwing away, even though its still good and tasty) and share it with organisations that feed people, including Food Banks, Hostels, community cafes, school breakfast clubs and soup kitchens. I got involved cos i thought it might be possible, and if it was, then we should at least try. Obviously there have been mistakes made within the welfare state as to how people are given what they need to survive when they’re struggling. So those errors have led to a lot of hungry and desperate people – hence food banks have done brilliant work in making sure that they are fed.

 What has struck me in the five years I’ve been doing this is that actually there is much more waste food than there are hungry people. We completely overproduce in order to give very wide consumer choice. There needs to be an acknowledgement, either corporately or individually, that this can’t continue if we expect the global situation to improve regarding resources (energy, water, oxygen, not just food). So, our style of living on ready meals, every kind of fruit you could imagine, and no planning or preparation can’t last, if we want to see changes to food waste.

Cakes play a pivotal role at Youth Anthems so what’s the dessert of choice for each Cut Up? 

I like anything with chocolate and cream. Pip would choose lemon drizzle. In truth, we’re all obsessed with Krispy Kremes, and its a constant struggle not to eat three a day.

What’s the best advice anyone has ever given you?

Was it Plato or Aristotle who said “Pick up your head, get off the ground. These High Hopes that I have keep me from getting down.”?

Patrick Craig Interview

On May 10th we have Leeds via Kingston’s Patrick Craig opening proceedings for us so I thought we should find out a bit more about this chap before he brings his folk-punk sound to our ears…

Could you introduce yourself and tell us how you ended up playing guitar in Leeds?

Hello. I’m Patrick. I’ve been playing guitar since I was a kid, and gigging since I was 16. In 2012 I moved to Leeds to start a degree at Leeds College of Music, and thats how I’m here.

What are the positives and negatives of being a solo performer rather than being in a band?

Positives – I can take gigs without having to check stuff. I don’t have to split the rider with anyone. I don’t argue with bandmates.

Negatives – it’s quite lonely. You make friends on the road touring and that but sitting on the last train at Manchester Airport at 2am with broken headphones isn’t that fun. And my brain is dull, so i just argue with myself…

How does being an artist in Leeds compare to other places you might have lived?

I’m from south west London, and there is a cool local scene there, but its a little limited, because its not too hard to head into town or anywhere else for shows, so there isn’t the diversity in the concentrated area that there is in Leeds. I think in Leeds there is much more of a DIY ethic in that bands just want to play, rather than have moved to London to find management. I’ve never had a bad show in Leeds either, the audience has always been lovely, whereas I’ve had a few rude people in the past in other venues.

What would you recommendations be for other bands/performers both in Leeds and the rest of the UK be right now?

My favourite local bands at the moment are Trudy and Irish Boxing. They’re some friends from Uni so I’ve seen them from the beginning, but they’re both great bands. Another recommendation would be Sanchez vs. Fighter Pilot, who are an amazing band in Kingston. They’ve got a great local fancies, but as soon as they hit they’re going to hit hard, so make sure you check them out.

What advice would you give to people who wanted to pick up an instrument and start off as a musician?

Start. Just do it. It’s going to be tough, you’re going to get frustrated, but do it. And do whatever makes you happy with it. You want to play Bach sonatas on piano? Put the work in and it’ll pay off. You want to write punk songs on two strings of an acoustic guitar? Exactly the same. There’s no trick to getting into it, or a secret thing to do that makes it easier, you just have to do it.

Best gig you’ve been to in the last six months?

I went to see Tiny Moving Parts, Into It. Over It. and Modern Baseball not that long ago at the Brudenell. That was a crazy show, some amazing musicians playing some great songs.

Top three gigs attended?

My top three gigs where I just sat and watched the headliner with awe:

Get Cape Wear Cape Fly – Final tour, Brudenell Social Club September 2014 – I cried, I’m not going to lie. Chronicles of a Bohemian Teenager is an album that hit me at the right time, and was one of my first major influences.
 
Andrew Jackson Jihad – The Fighting Cocks October 2014 – I’d only heard a little bit of them before I got booked for the show. So I listened to a bit more, and actually managed to catch an in-store from the frontman Sean before the show. Acoustic he was great, but as a band they were incredible. It was a tiny room, and the perfect atmosphere for an amazing show.
 
Beans On Toast – New Slang July 2014 – An education in crowd control. A perfect showman completely owning the room, and getting everyone involved.

Travels By Telephone Interview

At our next gig on February 22nd we have the rather marvellous Travels By Telephone (aka Mr. Jamie Wilson) playing for us.  So here’s a few words from the man himself to help you understand the machinations behind it all so you can fully enjoy the experience!

What’s your name and where do you come from?

Hello. My name is Jamie Wilson and I reside in a bungalow in York where I have removed most evidence of the modern age and replaced it with 1970s charity shop treasure/tat (any remaining evidence of the modern age has been covered over with wood-effect sticky-backed plastic). I was born in Wellingborough, and we moved to Leeds when I was very young, so the only vague recollection of Well-bro’ I have is sliding down the hollow innards of an enormous wooden snake (possibly an adder) in a shopping centre circa 1980. It was probably terrifying. Wikipedia has since informed me of the area’s agreeable geological qualities, when, in the predominantly agrarian medieval period, the combination of access to fertile, if flood-prone, valley bottom soils and drier hillside/ hilltop soils was favourable for a mixed agricultural base. Which is nice. Weirdly, the enormous wooden snake (possibly an adder), wasn’t mentioned

Have you always performed solo and isn’t that scary at times?

Up until a couple of years ago, I had always only performed solo; I’d been in bands, but we’d never got to the point where we got it together enough to play a gig. And it was always something I’d wanted to do, so now I have, and I am very chuffed about this. Playing solo live can be a tad scary sometimes, but nowhere near as much as the first open mic I played; I followed a very loud doom-folk duo covering Losing My Religion on an incredibly (but possibly not incredible) metal-sounding overdriven mandolin, which I couldn’t not hear from the cubicle within which I was hiding/honing my extensive deep breathing skills). And then I twiddled out some incredibly (but possibly not incredible) shy twee folk numbers. It was pretty hard work, but afterwards I felt like this was something I wanted to definitely do again (playing music live I mean, not hiding in the bogs and quietly freaking out, although that can sometimes have its moments too).

I have a stammer of varying proportions which obviously adds an extra degree of scariness of standing up in front of a room full of folks, but it feels liberating and makes me feel pretty amazing to not let it stop me do something I really want to do. It feels a bit like standing on a rocky cliff top on a very windy day and shouting your full name, and possibly a choice swear word or two inserted into your favourite self-affirming phrase, into a stormy swirling sea (if you haven’t done this before, give it a go; you might enjoy it). There’s been gigs where I haven’t spoken between songs as much as I would’ve ideally liked to because of it (on occasions this has probably worked to my benefit), but I don’t think I’ve ever stammered on stage. I think it’s important to recognise that there’s often a part of nervousness about a situation that’s actually excitement, and to shine your noggin-torch (technical psychology term) onto the excitement part and focus on that; it’s too easy to not do something that you’re nervous about, even if it’s something you really want to do. With that thinking, I’ve recently starting performing solo spoken word, and I love it a lot.

As far as the not-performing-solo goes, last year I wrote a spoken word and music show with York word-wonder wizard Henry Raby (‘Practise Patience’), which we’ve been touring together, and I played glockenspiel/keys/melodica/shaky egg thing/tambourine (and pretty much any other implement available from the musical instrument section of the Early Learning Centre) in Burial in the Sky. I really like the independence (and control, I guess) of playing solo, but I love the chum-factor and more-opportunities-for-messing-about of performing with others. There should generally be more-opportunities-for-messing about, always.

Tell us a bit about the gigs you put on in York? What do your neighbours think about bands playing in your lounge?

I’ve been putting on gigs as Owls Owls Owls for around five years- they are mostly unplugged, small, friendly affairs to help out folks on tour, and put on local folks also. I’ve been trying to avoid using typical ‘music venues’ as much as possible of late, so I’ve been putting on a few house shows, and using a church in town for the bigger ones. There’s a windmill nearby which I have my eye on, and I am still to organise that ‘summer evening picnic gig in the woods’ show I’ve been daydreaming of for a yonk. I’m conscious that the majority of gigs (in York, as with most places) feature all-male line-ups, and I always try to not perpetuate this. I also recognise that it is very important that as a ‘promoter’ I am responsible for doing what I can to make the show happen in as safe a space as possible, and I do my best to do that. My next door neighbours are really into the house shows which is helpful! They came to the Ghost Mice show, and bought all of the bands’ CDs. They couldn’t get a baby sitter for the last one, so asked me to see if everyone could play louder so they could listen through the wall. They are the best.

What other bands and artists are you into at the moment?

This last week I have very much enjoyed the exciting precarium of dancing around in my socks on a polished laminate floor to the new Wave Pictures record, and have recently developed an unrelenting enthusiasm for Sunchyme by Dario G (played at volume, it is a truly joyful and uplifting classic of our times which I had somehow previously regrettably overlooked).

Also, of late: Ravioli Me Away, The Lucksmiths, Night Flowers, Martha, Two White Cranes, and Ferret Legs are all a treat.

Top cake, book, poem and song at the moment?

Cake-wise: I am a large fan of That Old Chestnut’s peanut butter tiffin. It is a dream, and they will have a stall at the gig on the 22nd which is a fine example of a fantastical happenstance.

Book-wise: I’m currently reading ‘No-one Belongs Here More Than You’ by Miranda July. The idea of teaching people to swim in a non-water-based environment (a flat) is a very beautiful thing.

Poem-wise: ‘Love after Love’ by Derek Walcott.

Song-wise: Always ‘Higher and Higher’ by Jackie Wilson (the Musician one, not the My Mum one, although I reckon she could belt out a killer version of it also).

 

So that was 2014..!

Thank you so much to everyone who came to the gig last week, I think we can agree that a good time was had by all?  I was blown away by all of the bands, they are all at the top of their game at the moment so to have them all on one bill was a real treat (as were the cakes as ever – good link?).  It was great to have Christine from PAFRAS with us and she seemed to be getting in the spirit of the gig too!  We raised just under £160 for the charity once Gift Aid was included so give yourselves a good pat on the back.  Our next gig will be in February and once again I’m really happy with the line up.  There’s more information on our gigs page but here’s the poster.  Any questions or thoughts for how we can improve in 2015 or what we should continue with then just get in touch.

 FEB

Jesus & His Judgemental Father Interview

Before our rather amazing (if I do say so myself) line-up on November 23rd, here’s a lovely little interview with our headliners.  So get yourselves acquainted and come have a great time.  There’s more information on the gig on our Facebook page here

JJ

YA:      How did J&HJF form?

J&HJF:  Danny and Sof were in a Riot Grrl band called Amazon Molly and Danger and Liz were in an Ani Difranco covers band that Danny had been roadie and engineer for when we all met. We were all also involved in running a monthly open mic and gig night/vegan cafe called Riot Grill which only featured Women and Queer performers. We bonded over a love of pop-punk music, veganism and Queer and Feminist politics. Most Women and Queer people our age have noticed that most of the lyrics from the bands in the pop-punk genre that us and our friends grew up listening to (Blink 182, Green Day etc.) are full of misogyny and homophobia and so we thought it be great to mimic the style of those bands but be about the opposite of what they were about.

YA:  What would you say your influences (musical and otherwise) are?

J&HJF: Our songs are about our experiences…some are love songs but not your usual hetero narrative. Some are about oppressions we face for being who we are, some about our interesting friends. So we are influenced by everything I guess.  We are all mega music enthusiasts so individually we are probably influenced by thousands of different artists and bands but a little list might look like: Fleetwood Mac, Prince, Dolly Parton, Rilo Kiley, Dixie Chicks, Nirvana, Ani Difranco Beyonce, The Beatles, ABBA, Kate Bush.

YA:  What do you all do outside of the band?

J&HJF:  We all have Jobs, and everyone except Danny is studying as well.

YA:  What does DIY mean to you as a band and what message/s for young people trying to get involved with their local DIY scene would you have?

J&HJF:  DIY means everything to us. It’s how we do what we do. The music industry as it is, is set up so that success is measured as part of a capitalist agenda and you’re winning if your making money and everybody knows your name. If you work outside of that and make your own ambitions like, meeting exciting people, playing music with your friends and travelling to places you haven’t been then you feel a lot more satisfied with yourself than if you have a grand at the end of a show that you played to people you don’t really like. It means that things don’t fall into place without your hard work and it’s about having/gaining the confidence to keep pursuing your particular interest despite obstacles and boundaries. My message would be to make whatever music or art you feel like making just for the sake of making it. Make it for yourself and/or share it with your friends. You don’t really need more from it than that.

YA:  What other bands would you recommend?

J&HJF:  Esper Scout and Commiserations from Leeds. Not Right from Coventry, Ill from Manchester, No Ditching, Martha and ONSIND from Durham, Trash Kit and Shopping from London

YA:  What’s the bands connection with Wharf Chambers?

J&HJF:  Danny works there doing sound engineering and stuff. It’s the best venue in Leeds.

YA:  What can people expect from the J&HJF set at Youth Anthems’ November gig?

J&HJF:  Energetic and excellent as usual, but a little quieter. No swearing, more covers.

Here we go again!

OK folks, it’s time to announce Youth Anthems #2! The next gig will be on November 17th at Wharf Chambers. It all seemed to go rather well last time (but do get in touch with any suggestions for changes) so we’re sticking at the same venue, we’re going to keep the price the same (£4 for adults, free for people 14 or under), it’ll all kick off at 1:30pm and bands will be between 2pm and 4pm. There will be a mix of electric and acoustic bands and of course the cake from That Old Chestnut will return!

There’s a Facebook event page here for those who like to keep updated that way and follow us on Twitter for updates that way too.

So the bands…

The Wilful Missing

www.wilfulmissing.co.uk

Bradford’s finest! You may have heard them on the wireless on the Tom Robinson or Steve Lamacq shows, or perhaps on Radio Leeds or even sound-tracking Waterloo Road. You might have seen them playing alongside Jeffrey Lewis, The Wave Pictures or Neil McSweeny recently. Playing beautiful, lush folk music with a modern, upbeat slant they really are a band to be seen live.

Have a ganders at their video for “Cry for the City” here then head on down to Jumbo in town to pick up one of their albums before the gig!

Mi Mye

https://www.facebook.com/mimyeband
http://mimye.bandcamp.com/

Wakefield’s worst keep secret, Mi Mye are a beautiful band who number the legendary Jamie Lockhart in their number (look at your favourite Wakefield band’s albums and you’ll be sure to find his name either as a producer or player on several of them). To my ear they sound like a lovely comforting mix of the best of the Fence Collective bands and 90’s lofi/indie bands ala Pavement.

Have a listen at their bandcamp: http://mimye.bandcamp.com

ONE MORE BAND TBC!