The Cut Ups – Interview

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I’ve been lucky enough to have known The Cut Ups since about 2006 when an old band of mine played with them.  Since then I’ve been in three more bands and they’ve kept on trucking, getting better and better with every album.  They’ve gone from being the new band on the block to the old hands.  Reliable but always progressing The Cut Ups really are a constant ray of sunshine and a source of hope and inspiration to everyone who knows them.  I really can’t praise this band enough as people and artists.  You are in for one heck of a treat.  If you get the time please talk to them too as they really are the nicest bunch around.  If you haven’t heard or seen The Cut Ups before then it really is a joy and an honour to introduce them to you so without further ado here is the one and only Jon Curtis…

Let’s start with a generic one for those who aren’t in the know – who are The Cut Ups and where did it all begin for you?

That’s not as easy a question as one might imagine! The Cut Ups are Dan, Pippa, Jack, Reza and Jon (that’s me). However, for these shows our friend Robin is playing the drums instead of Rez. It all began nearly 12 years ago at The Cavern in Exeter. We played our first show on December the 23rd, 2004, which was my 22nd birthday. I wanted to pump up the jams in new and extraordinary ways, so Rez and I set up with a fella called Adam. The lineup that made our new LP (“The Nerves”) has been solid for about 4 years I believe.

How do you think coming from Exeter has influenced the band’s development and sound and do you see this impact on other band’s from the area?

Well, Exeter is quite isolated actually. If you live there, its the main place where everything happens for you, you don’t often go elsewhere – so i guess this means that lots of us get the same influences in similar ways. Everything is centred on the Cavern (which Pippa runs with Dave from Exeter punks Annalise (from No Idea Records, fact fans)) which operates as an alternative venue, but its actually way more than that. As such, there’s been twenty years of community built there around a mix of UK indie and DC punk rock kinds of things, which loads of bands have imbibed to varying degrees. Those bands include and have included Muncie Girls, Annalise, The Computers, Kids Near Water, Tyler, An Emergency, OK Pilot, Shit Present, Some Sort of Threat. For me, the big thing i took from Annalise (around whom the best ideas revolve, and who i got to play guitar for on their last LP) was that there’s no value in pretending that you’re from anywhere else. I’d be a terrible Liverpudlian, or Leedsy, but no-one can doubt my legitimate Exetertonian (that’s the real term!) status. If punk rock is about honesty, then I’d be daft to act otherwise.

What have your previous impressions of Leeds been and what might you be expecting this time?

I really like Leeds, and have always enjoyed playing here. When we played here with Franz Nicolay (from The Hold Steady) as his backing band we got to stay in a Hold Steady mega-fan’s mansion. So i have had very high expectations since then. I’m expecting a butler to serve me lunch, and to have to wear a top hat on stage.

We get a lot of younger people at our gigs and therefore always ask bands if they have any advice or tips for young people thinking of starting out playing music.  What would yours be?

Go and watch as many bands as possible – It’s the best education possible. And listen to Fugazi every day.

Seeing as we have a fair few miles between Exeter and Leeds are there any bands from the South West we might be missing out on that we should investigate?

There’s loads but you’ve probably heard of most. You can have a look at that list up the page a bit, but Woahnows from Saltash are a really really great quirky post hardcore band (you’ve probably heard of them), and I love a hardcore band from Exeter called Fall Children. They are very noisy.

You’ve been going now for over ten years, how do you find managing the changing pressures of life (work, family, friends etc.) that can impact on being in a band?

I just plough on regardless.

If you could recommend one book, film and record to people that has had an impact on your growing up, what would they be?

Yeah, a book would be Great Expectations by Charles Dickens – your friends might get embarrassed by you, and shift on, but you’re alright. keep going.

 A film – I watched La Vita E Bella (Life is Beautiful) when i was 15 and was overwhelmed by the idea that goodness can overcome the effects of the bad things in the world. That hope is more powerful than anything else.

 A record – an impossible question! Today i’ll say Billy Bragg’s first EP – “Life’s A Riot with Spy Vs Spy”, which always sounds like the voice of a young person not settling for what they’re given.

I’m aware that you have had a huge role to play in Exeter with regard to food banks.  Could you tell us a bit more about how you became involved with this area and your thoughts on the huge increase in the use of Food Banks over the past 2-3 years and where you see this going moving forward?

I started a food redistribution project with my friend Martyn – we take “excess” food from supermarkets/wholesalers/manufacturers (the stuff they’re throwing away, even though its still good and tasty) and share it with organisations that feed people, including Food Banks, Hostels, community cafes, school breakfast clubs and soup kitchens. I got involved cos i thought it might be possible, and if it was, then we should at least try. Obviously there have been mistakes made within the welfare state as to how people are given what they need to survive when they’re struggling. So those errors have led to a lot of hungry and desperate people – hence food banks have done brilliant work in making sure that they are fed.

 What has struck me in the five years I’ve been doing this is that actually there is much more waste food than there are hungry people. We completely overproduce in order to give very wide consumer choice. There needs to be an acknowledgement, either corporately or individually, that this can’t continue if we expect the global situation to improve regarding resources (energy, water, oxygen, not just food). So, our style of living on ready meals, every kind of fruit you could imagine, and no planning or preparation can’t last, if we want to see changes to food waste.

Cakes play a pivotal role at Youth Anthems so what’s the dessert of choice for each Cut Up? 

I like anything with chocolate and cream. Pip would choose lemon drizzle. In truth, we’re all obsessed with Krispy Kremes, and its a constant struggle not to eat three a day.

What’s the best advice anyone has ever given you?

Was it Plato or Aristotle who said “Pick up your head, get off the ground. These High Hopes that I have keep me from getting down.”?

Nervous Twitch Interview

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I’ve been a massive fan of Nervous Twitch since my band played a rather odd but lovely gig with them at The Fenton where we bonded over a love of Dan Electro basses.  They’ve just got better and better (evidenced by their incredible album and 7″ released last year) and they harness a wonderful and unique blend of ’70’s New York punk with Dick Dale guitars and a lovely layer of New Wave.   Believe me when I say you’re in for one heck of a treat at the February 7th gig.  Here’s a few words with singer/bassist/keyboardist Erin:

How would you describe Nervous Twitch in five words?

New-wave-punky-pop-songs

How did the band form and what changes have there been since?

Well, it would be hard for me to answer that without writing an essay, but in brief; Jay is the only original member, I used to be the drummer, Ash has been with us a long while and Emma a short while. We’ve had a few line-up changes in the past, however, it’s meant that we have met lots of awesome people and had the opportunity to play with loads of great musicians, but it works really well at the moment and I personally would love it to stay that way!

What’s being a band in Leeds like?

Having Jumbo Records in your bands’ hometown is great; they have always supported us with new releases. Leeds has a wide variety of different venues or promoters that has given us the opportunity to play with loads of awesome bands. It’s also handy being central in your own country when it comes to playing out of town.

What would your ideal gig line-up be?

We’d like to say Ramones, The Beatles and Nirvana, but with the majority of members being dead: a super group of the left overs maybe? But that would mean 3 drummers and a bassist. Emma suggested that maybe they could be put in a big brother style house and forced to write an album. Would it be any good? Have I answered the question?

Favourite cake of each member?

Ash: Battenberg

Emma: Victoria Sponge

Jay: Cheese Cake

Erin: Jaffa cakes.

What can people coming on Feb 7th expect?

Pop-y, Girl Group esq songs with a punk, Eddie Cochran rock ‘n’ roll vibe. Also the pre-sale of our new single! (Out on Punkfox records).

Finnmark! Interview

At our gig on May 10th we have the phenomenal local indie-popsters Finnmark! playing.  Here’s a quick introduction to them..!

What’s your name and where do you come from?

Is that a Blind Date reference? Well Cilla, we’re Finnmark! and we’re from Leeds!

Nice reference spotting!  Where does the Scandinavian love stem from? Is it the shared cold temperature with Leeds?

When the band first stared I (Edward) was hanging around in Sweden quite a lot (the band actually started in Gothenburg), and the first songs were written around that time, and Scandinavia crept into the songs and the bands aesthetic.

What bands would you see as the top influences for Finnmark! ? (I’m hearing a lot of Divine Comedy and Magnetic Fields?)

Well there are two bands that are staples of our DJ sets! Yeah, we love both of them. There is also a strong Field Mice and Another Sunny Day influence, along with some Scandinavian bands like Northern Portrait and Cats on Fire.

Why the exclamation mark? Do you shout a lot?

It makes you pronounce Finnmark! the correct way! It’s purely grammatical!

Top three ice cream flavours?

I, Edward, can’t really eat ice cream, only the soy one, and that is nearly always vanilla, so I will go for a classic Neopolitan. Strawberry, vanilla and chocolate.

Favourite Scandinavian fact?

Scandinavia publish more books per capita than any other are in the world!

What Leeds band should we all go out and listen to right away?

The Seven Inches!

Closing words?

Buy a guitar, write some songs, start a band

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Patrick Craig Interview

On May 10th we have Leeds via Kingston’s Patrick Craig opening proceedings for us so I thought we should find out a bit more about this chap before he brings his folk-punk sound to our ears…

Could you introduce yourself and tell us how you ended up playing guitar in Leeds?

Hello. I’m Patrick. I’ve been playing guitar since I was a kid, and gigging since I was 16. In 2012 I moved to Leeds to start a degree at Leeds College of Music, and thats how I’m here.

What are the positives and negatives of being a solo performer rather than being in a band?

Positives – I can take gigs without having to check stuff. I don’t have to split the rider with anyone. I don’t argue with bandmates.

Negatives – it’s quite lonely. You make friends on the road touring and that but sitting on the last train at Manchester Airport at 2am with broken headphones isn’t that fun. And my brain is dull, so i just argue with myself…

How does being an artist in Leeds compare to other places you might have lived?

I’m from south west London, and there is a cool local scene there, but its a little limited, because its not too hard to head into town or anywhere else for shows, so there isn’t the diversity in the concentrated area that there is in Leeds. I think in Leeds there is much more of a DIY ethic in that bands just want to play, rather than have moved to London to find management. I’ve never had a bad show in Leeds either, the audience has always been lovely, whereas I’ve had a few rude people in the past in other venues.

What would you recommendations be for other bands/performers both in Leeds and the rest of the UK be right now?

My favourite local bands at the moment are Trudy and Irish Boxing. They’re some friends from Uni so I’ve seen them from the beginning, but they’re both great bands. Another recommendation would be Sanchez vs. Fighter Pilot, who are an amazing band in Kingston. They’ve got a great local fancies, but as soon as they hit they’re going to hit hard, so make sure you check them out.

What advice would you give to people who wanted to pick up an instrument and start off as a musician?

Start. Just do it. It’s going to be tough, you’re going to get frustrated, but do it. And do whatever makes you happy with it. You want to play Bach sonatas on piano? Put the work in and it’ll pay off. You want to write punk songs on two strings of an acoustic guitar? Exactly the same. There’s no trick to getting into it, or a secret thing to do that makes it easier, you just have to do it.

Best gig you’ve been to in the last six months?

I went to see Tiny Moving Parts, Into It. Over It. and Modern Baseball not that long ago at the Brudenell. That was a crazy show, some amazing musicians playing some great songs.

Top three gigs attended?

My top three gigs where I just sat and watched the headliner with awe:

Get Cape Wear Cape Fly – Final tour, Brudenell Social Club September 2014 – I cried, I’m not going to lie. Chronicles of a Bohemian Teenager is an album that hit me at the right time, and was one of my first major influences.
 
Andrew Jackson Jihad – The Fighting Cocks October 2014 – I’d only heard a little bit of them before I got booked for the show. So I listened to a bit more, and actually managed to catch an in-store from the frontman Sean before the show. Acoustic he was great, but as a band they were incredible. It was a tiny room, and the perfect atmosphere for an amazing show.
 
Beans On Toast – New Slang July 2014 – An education in crowd control. A perfect showman completely owning the room, and getting everyone involved.

Travels By Telephone Interview

At our next gig on February 22nd we have the rather marvellous Travels By Telephone (aka Mr. Jamie Wilson) playing for us.  So here’s a few words from the man himself to help you understand the machinations behind it all so you can fully enjoy the experience!

What’s your name and where do you come from?

Hello. My name is Jamie Wilson and I reside in a bungalow in York where I have removed most evidence of the modern age and replaced it with 1970s charity shop treasure/tat (any remaining evidence of the modern age has been covered over with wood-effect sticky-backed plastic). I was born in Wellingborough, and we moved to Leeds when I was very young, so the only vague recollection of Well-bro’ I have is sliding down the hollow innards of an enormous wooden snake (possibly an adder) in a shopping centre circa 1980. It was probably terrifying. Wikipedia has since informed me of the area’s agreeable geological qualities, when, in the predominantly agrarian medieval period, the combination of access to fertile, if flood-prone, valley bottom soils and drier hillside/ hilltop soils was favourable for a mixed agricultural base. Which is nice. Weirdly, the enormous wooden snake (possibly an adder), wasn’t mentioned

Have you always performed solo and isn’t that scary at times?

Up until a couple of years ago, I had always only performed solo; I’d been in bands, but we’d never got to the point where we got it together enough to play a gig. And it was always something I’d wanted to do, so now I have, and I am very chuffed about this. Playing solo live can be a tad scary sometimes, but nowhere near as much as the first open mic I played; I followed a very loud doom-folk duo covering Losing My Religion on an incredibly (but possibly not incredible) metal-sounding overdriven mandolin, which I couldn’t not hear from the cubicle within which I was hiding/honing my extensive deep breathing skills). And then I twiddled out some incredibly (but possibly not incredible) shy twee folk numbers. It was pretty hard work, but afterwards I felt like this was something I wanted to definitely do again (playing music live I mean, not hiding in the bogs and quietly freaking out, although that can sometimes have its moments too).

I have a stammer of varying proportions which obviously adds an extra degree of scariness of standing up in front of a room full of folks, but it feels liberating and makes me feel pretty amazing to not let it stop me do something I really want to do. It feels a bit like standing on a rocky cliff top on a very windy day and shouting your full name, and possibly a choice swear word or two inserted into your favourite self-affirming phrase, into a stormy swirling sea (if you haven’t done this before, give it a go; you might enjoy it). There’s been gigs where I haven’t spoken between songs as much as I would’ve ideally liked to because of it (on occasions this has probably worked to my benefit), but I don’t think I’ve ever stammered on stage. I think it’s important to recognise that there’s often a part of nervousness about a situation that’s actually excitement, and to shine your noggin-torch (technical psychology term) onto the excitement part and focus on that; it’s too easy to not do something that you’re nervous about, even if it’s something you really want to do. With that thinking, I’ve recently starting performing solo spoken word, and I love it a lot.

As far as the not-performing-solo goes, last year I wrote a spoken word and music show with York word-wonder wizard Henry Raby (‘Practise Patience’), which we’ve been touring together, and I played glockenspiel/keys/melodica/shaky egg thing/tambourine (and pretty much any other implement available from the musical instrument section of the Early Learning Centre) in Burial in the Sky. I really like the independence (and control, I guess) of playing solo, but I love the chum-factor and more-opportunities-for-messing-about of performing with others. There should generally be more-opportunities-for-messing about, always.

Tell us a bit about the gigs you put on in York? What do your neighbours think about bands playing in your lounge?

I’ve been putting on gigs as Owls Owls Owls for around five years- they are mostly unplugged, small, friendly affairs to help out folks on tour, and put on local folks also. I’ve been trying to avoid using typical ‘music venues’ as much as possible of late, so I’ve been putting on a few house shows, and using a church in town for the bigger ones. There’s a windmill nearby which I have my eye on, and I am still to organise that ‘summer evening picnic gig in the woods’ show I’ve been daydreaming of for a yonk. I’m conscious that the majority of gigs (in York, as with most places) feature all-male line-ups, and I always try to not perpetuate this. I also recognise that it is very important that as a ‘promoter’ I am responsible for doing what I can to make the show happen in as safe a space as possible, and I do my best to do that. My next door neighbours are really into the house shows which is helpful! They came to the Ghost Mice show, and bought all of the bands’ CDs. They couldn’t get a baby sitter for the last one, so asked me to see if everyone could play louder so they could listen through the wall. They are the best.

What other bands and artists are you into at the moment?

This last week I have very much enjoyed the exciting precarium of dancing around in my socks on a polished laminate floor to the new Wave Pictures record, and have recently developed an unrelenting enthusiasm for Sunchyme by Dario G (played at volume, it is a truly joyful and uplifting classic of our times which I had somehow previously regrettably overlooked).

Also, of late: Ravioli Me Away, The Lucksmiths, Night Flowers, Martha, Two White Cranes, and Ferret Legs are all a treat.

Top cake, book, poem and song at the moment?

Cake-wise: I am a large fan of That Old Chestnut’s peanut butter tiffin. It is a dream, and they will have a stall at the gig on the 22nd which is a fine example of a fantastical happenstance.

Book-wise: I’m currently reading ‘No-one Belongs Here More Than You’ by Miranda July. The idea of teaching people to swim in a non-water-based environment (a flat) is a very beautiful thing.

Poem-wise: ‘Love after Love’ by Derek Walcott.

Song-wise: Always ‘Higher and Higher’ by Jackie Wilson (the Musician one, not the My Mum one, although I reckon she could belt out a killer version of it also).

 

The Amistad – Interviewed!

I’m so happy we’ve got The Amistad playing our next gig; they’ve been a mainstay of the UK DIY punk scene for quite some time and are lovely folk too.  Here’s a few words from them before they rock up to our PAFRAS benefit on November 23rd. There’s more information on the gig on our Facebook page here

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YA: Could you give us a potted history of The Amistad? I’m aware you’re seen as a Leeds band but I know you’re spread a bit further now?

A:   We formed in 2007, originally a four piece but we’ve been a three piece since late 2009. The plan was to make rough-around-the-edges DIY pop music that was hopeful in a sort of bitter and cynical way. Well that’s the heavily revisionist/post-hoc rationalised version of the story anyway. We’ve done three split 7″s and an album since then, but it’s a good three years since we’ve recorded anything, and we probably don’t play as many gigs as we’d like. We’ve always been a band with no fixed abode really: when we started two of us lived in Sheffield and two in Leamington Spa. Now we’re split between Liverpool, London and Sheffield.

YA: How did your relationship with Bombed Out Records form and have you been involved with any other labels?

A:    Me (Mike) and Rob used to be in a band called Four Dumb Kids. Terrible name. Anyway, we were big fans of a lot of Bombed Out bands and we used to send Steve a lot of our (embarrassingly bad) recordings in the early days. Hopefully they were on sufficiently low quality CD-Rs to have not survived the aging process. By the time The Amistad got going we’d worn him down, he very kindly offered to put out our album and has been dead encouraging throughout. ROIDH and Disillusioned Records co-released the vinyl version of the album – Wayne is a lovely bloke and a fellow Wednesdayite so always a pleasure to work with – and we’ve had splits out on ROIDH, Document, Disillusioned and All In Vinyl, all of which are basically our friends’ labels and very nice people.

YA: Am I right in thinking your last release was the (rather incredible) “Kept Under by a Generation of Ghosts”? It feels like that might have been a little whilst ago, so what’s next?

A:   That’s very kind. We actually did a split 7″ with New Bruises in 2011, a year or so after the album came out, but that’s all. We’ve just booked some studio time to record album number two, which has felt like a long time coming from our point of view, so hopefully it’ll be worth the wait!

YA: What have you been up to since that album came out? Inside the band and outside!

A:    Well we did the split with New Bruises, and we’ve done a few tours, but other than that not a great deal to report band-wise. That sounds much more negative than it’s supposed to. We’ve really enjoyed playing gigs in various different places, got to play with some amazing bands and made friends with some really great people. The spending time with people bit is always the best bit, even though we might seem a socially awkward bunch at first. We played some gigs around Europe in 2012, including all the way up to Finland, which was definitely a high point. We’d love to do something like that again. Outside the band: I’ve been trying to do a PhD (was meant to take three years, just started my fifth), Rob’s moved to Liverpool, done a master’s, is now starting his PhD and expecting his first child, Frank’s moved to London, done some travelling, played in a couple of different bands and has just started a new job.

YA: What bands have been floating your boat recently?

A:   We’ve really enjoyed playing with Austeros from Cheltenham and Guerrilla Monsoon from Birmingham. I know they’re not that new but I really like Good Grief from Liverpool. There’s usually some Weakerthans and Lemuria on the go in my house. And some 90s guitar pop.

YA: Youth Anthems are strident supporters of cake at gigs so what’s The Amistad’s top three cakes?

Mike: the lemony one, the carroty one and the walnutty one
Frank: coffee, lemon drizzle, (vegan) cheesecake
Rob: cheesecake, carrot cake and, assuming it qualifies as a cake, croquembouche. I suppose that makes cheesecake, lemon drizzle and carrot cake the Amistad’s top 3!

Christine Majid (PAFRAS Manager) Interview

I’m immensely grateful that Christine Majid (the Manager of PAFRAS) has taken so much time out of her busy life to answer some questions that we sent to her ahead of our benefit gig for the charity on November 23rd (more information on that here).  It’s a pretty big interview but it really is worth your time reading to find out about an incredible organisation who are working in your City doing phenomenal work.  Have a read and then when you come to the gig on the 23rd know that all money from the door will be going to them and feel free to let us keep your spare change to add to the donations!  Christine will be at the gig running an information stall so make sure you say hi and buy her some cake!

Here’s the Facebook event for the gig:

FOODBANK

(Christine at the Food Bank – on the right)

YA: Could you give us a history of PAFRAS?

C: In 2003 I set up an organisation called Positive Action for Refugees (PAR), and had a Management Committee of 4 who backed me and had faith I could deliver the service. Starting off alone in an old house, in Harehills (with no heating or hot water and a leaking roof!) PAR worked with Refugees and Asylum seekers mainly the Iraqi Kurds, who were fleeing Iraq at the time and Iranians and Somalians.  The project centred mostly on integration, running English ESOL Classes, Asylum casework and support.

After 6 months we employed the first part time worker who was  from Iraq himself and spoke fluent English, Arabic and Farsi. PAR constantly adapted to best meet the needs of some of the most marginalised people in our society.  Funding was running out at the same time that Immigration Legislation was rapidly changing, eroding the rights of Asylum seekers, one could see that hundreds of asylum seekers would become homeless  not just in Leeds but thoughout the country, with no recourse to any public funds, no right to employment and extremely difficult to submit an email.

PAR too was made homeless and I had to close down, just before I left the premises, I received 15 people who had that day been evicted from their accommodation, who arrived at PAR with their little belongings in a black bin liner and had nowhere to go but the streets, and this became their home with sub-zero temperatures setting in.

All I could do to help was to work on the streets with an old 2CV car taking food, blankets and hot drinks; the car was my office as well! Consequently recognising the severity of destitution polices, I needed to open a drop in, to respond to the very basic needs of food, warmth, clothing and shelter, there was a humanitarian disaster was happening right in our back yard.

A Kurdish tailor who I had helped and many from the Kurdish Community asked me to go to the basement of his sewing shop (very small) with no windows to see people who required help, it became so busy, and that the old 4 singer sewing machines turned into desks! and the queues ended up half way down the streets!

Those days bring back wonderful memories of the beautiful warm bread, cheese, honey, and tea that were constantly supplied for me; I was very well looked after.

A Yorkshire Post journalist visited and, wrote an article on many of the people arriving for help and myself.

It took over 6 months working on the streets, and then a person who I will be forever grateful to, backed me and I was able to open the very first PAFRAS drop in Centre with a part-time worker in 2005, renamed PAFRAS and rented an office in an attic in Harehills

YA: So what actually is PAFRAS now?

C: PAFRAS is a Voluntary sector, non-for profit Charity, it is a grass roots organisation working in solidarity with asylum seekers and refugees , promoting social justice, through direct assistance, individual casework, mental health support , research  based interventions and analysis. PAFRAS works on the front line of with destitute asylum seekers, many who cannot be returned home, but are left in a life of Penury.

PAFRAS has a very small Team consisting of the Manager, Coordinator, one full time asylum caseworker, one part time asylum caseworker, one part time mental health worker and that’s it!!  We also have 8 trustees on board.  Our small team works in an holistic way with the client group who access our services and with the multi- complex needs they present. Since 2005 we have received more than 50.000 visits to the Drop In Centre in Harehills, 13,300 Casework sessions, distributed 25.000 food parcels and provided 43.00 meals to destitute, asylum seekers.

We estimate that the last 6 years we have distributed between 70 – 80 tonnes of food in food parcels, to destitute service users 100% is donated. We extremely grateful for all the people, organizations the community donate to us on a regular basis.

YA: What do the day to day activities of the Charity look like?

C: They are extremely busy, challenging, the phone never stops ringing, clients coming in with crisis situations, emergencies, not enough hours in the day, some days we are like ships that pass in the night, always have to be flexible so much  happening on a daily basis.. My own work is now is strategic , fundraising to try and keep the doors open for people, overlooking all sites, supervising and supporting the staff, attending meetings, writing reports, and giving talks to raise the awareness of the plight of destitute asylum seekers in  Leeds and the UK, no more than now is it so relevant as we are seeing a move to the right. In mainstream politics, not just in UK but also on the European stage, The politicians, press and media have galvanised the immigration debate as a vote winner, everything that is wrong in the country is blamed on Immigration and too many immigrants.

YA: How have the recent Funding Cuts affected PAFRAS?

C: Recent Funding Cuts have affected PAFRAS from the Charitable Sector who give grant funding, many who have slashed their grants by half, only a few give core costs for (rent, utility bills, phone lines, fax, rent, printing etc.  We do not get any government funding. This is particular difficult for causes such as PAFRAS, and sustainability of staff and a vital service is difficult as finance is so tight.

In July 2011, PAFRAS had to reduce our casework provision, from 2 drop in’ per week to 1, we had hoped that it would only be a temporary change.  However in October 2013 , PAFRAS had to implement a further round of cuts to our staffing and services due to the extremely challenging funding situation. From mid-October we lost our communications Officer post and hence our Newsletter, as well as reducing the hours of myself and the Co-ordinator role.

These decisions tough though they were, had to be taken in order to secure the long term future of PAFRAS. This unfortunately came at the same time we heard that Refugee Council had lost its contract to deliver services to Refugees  and Asylum Seekers in Leeds from March 2014.  Things had never been darker for the sector in Leeds with the whole refugee and asylum seekers sector turned on its head.

However with bids pending and our sheer determination and resilience , we were able to make it through, although I am still looking for grants for two posts that will come to the end of grant funding in March 2015

The logistics of PAFRAS are huge, We run a weekly drop in at St Aidans’s Hall in Harehills where we receive as many as a 150 people on a Thursday accessing, A Hot meal, Food Parcels, Toiletries and Clothing, Asylum Casework, Red Cross Vouchers, Access to register with a Medical Practise.

I have developed the project into a multi – agency  format, where visitors to the drop in can access  a variety of services under one roof, we have formed solid partnerships with the Red Cross PAFRAS has worked with the Red Cross (since 2005). They also provide a caseworker from the Red Cross and Red Cross Vouchers for food, for those rendered destitute. Skyline also gives advice regarding sexual health and HIV screening and testing is also carried out at the drop in. York Street Health Practise who attend the drop in registering clients with a GP and a Dentist and filling in HC2 forms for medication and much more. Hamara who supply cooked meals alongside the Muslim Brothers and Sisters who cook and provided a monthly meal to well over a 110 people per month.

YA: If people want to donate money or other things how do they go about it?

C: By going on the PAFRAS Website, http://www.pafras.org.uk, where we have a Just Giving site or you can send a cheque to:

Christine Majid Manger

PAFRAS Unit 14

Chapeltown  Enterprise Centre

231-235 Chapeltown Road

Leeds LS7 3 DX

Articles of clothing, food  nappies and toiletries  can be dropped of at the office address above , only make sure some-one is at the office base by telephoning  LDS – 262 2163, or emailing christine@pafras.org.uk

YA: What are the challenges of running a charity like PAFRAS?

C: The key challenge of running a charity like PAFRAS is funding, sustainability and resources. There are high demands on our services, we have been busier than any time in our history and the impact on PAFRAS after the closures of Refugee Council and Refugee Action in Leeds, in March of this year has been huge.  We require funding for more staff, at a time when funding grants have been slashed by so many grant givers. Also we are not the most popular cause to fund.

YA: How do you feel that PAFRAS fits in as an organisation in Leeds. What is it (if anything) about the city that shapes the charity?

C: PAFRAS is a charity that has helped to facilitates dialogue between different communities which may not have ordinarily come into contact with one another therefore creating a fusion of culture language and background bringing a further enriching experience to the diverse city of Leeds. (Over 50 different Nationalities from all over the world have visited PAFRAS).

YA: What sort of music do you listen to in the Office

C: it’s Extremely rare that we can listen  to music in the office due to the type of work we do , which demands high concentration levels working on cases, mental health and crisis issues.  However I Love the Pogues and Biscuit Head and the Biscuit Badgers!

YA; What does the term “Asylum Seekers” actually mean?

C: Asylum seekers (and by implication destitute asylum seekers), are not a homogenous group. They come from a variety of ethnic, national, cultural, linguist religious and social backgrounds. People who have fled human rights abuses in their home countries only ask only for the right to remain here and seek sanctuary, where their lives will no longer be in danger.

YA: Why do people Flee?

C:  For a wide variety of reasons;

  • Fleeing repressive and conflict riven countries around the globe
  • Fear of death due to war ( ethnic, civil, military ) and fear of organized violence
  • Abuses by security forces or armed opposition groups (rape and beatings)
  • Torture and Inhumane treatment
  • Unjust systems including detention without trial or unfair trials
  • Death penalty
  • Massacres or the threat of massacres
  • Political repression or religious intolerance
  • Persecution because of ethnicity
  • Gender based human rights abuses, e.g. honour killings, forced marriages, FGM
  • Forced into sexual slavery
  • Conscription into the army
  • Exploitation or abuse of power by someone who has authority or economic power.

Countries where there is ongoing, conflict generalized violence and well documented human rights violations, sadly is a global reality, where torture and ill- treatment continue unabated. Although the UN Convention against Torture, ratified by the UK, obliges states to provide the fullest rehabilitation to torture survivors, sadly   it is clearly not being fulfilled as many asylum seekers who visit PAFRAS, end up destitute, no aspect of destitution can be defined as rehabilitation, when victims of torture end up on the streets.

YA: Why do asylum seekers become destitute?

C: As PAFRAS’S work focuses first and foremost on tackling the problems of destitution and refused asylum seekers, it is important we that we look at the polices that were introduced by the New Labour Government of 1999 , where enforced destitution became a part of immigration control. In 2002 the removal of the right to work was implemented. Due to drastic cuts in Legal Aid in 2004, it was virtually impossible for asylum seekers to be able to secure a lawyer at Appeal Stage, leaving asylum seekers evicted from their accommodation, to find themselves on the streets with no permission to work and without recourse to any public benefits.

Many successive governments have introduced legislation followed that has eroded the rights of asylum seekers who are divested of all civil and social rights.  Many asylum seekers at end of process who are destitute that arrive at PAFRAS for assistance  tell us they would rather die on the streets of UK than be returned to their countries of origin due to ongoing conflict, wars and human rights abuses, as well as other factors mentioned below. Refused asylum seekers are not all the same: They include people who:

  • Cannot leave the UK through no fault of their own (e.g. they are stateless and have no country to return to), their governments will not provide them with travel documents, preventing their return, they are too sick to travel or there is no viable route to return home).
  • Have been in the UK for a long period and have developed strong ties with the UK (e.g. entering relationships and having children).
  • Have a pending Judicial Review
  • Think it is unsafe for their return because of armed conflict, repressive regimes, the brutality of torture and ill treatment. In some cases the UK Government itself recognizes that it is not safe for their return, even though they have not been granted asylum in the UK, (e.g. refused asylum seekers from, Somalia, DRC, Iran and Iraq).

The majority of asylum seekers that visit PAFRAS fall into this group.  Nearly 73% of destitute asylum seekers visiting the drop in services were from: Eritrea   Iran   Iraq   Democratic Republic of Congo Palestine

Countries where there is ongoing, conflict generalised violence and well documented human rights violations, sadly is a global reality, where torture and ill- treatment continue unabated. Although the UN Convention against Torture, ratified by the UK, obliges states to provide the fullest rehabilitation to torture survivors, it is clearly not being fulfilled as many asylum seekers who visit PAFRAS, end up destitute, no aspect of destitution can be defined as rehabilitation.

YA: Is there any more information about PAFRAS that you would like people to know? Could you give us a more detailed view of the services you provide perhaps?

PIE

C: These figures demonstrate the huge unmet need within the city of Leeds and the surrounding area’s for those rendered destitute, with no permission to work, enduring extreme poverty, hunger, mental and physical health problems and multiple forms of abuse: During 2012-2013 PAFRAS, delivered the following front line services: 1,535, Casework one to one sessions with clients

629    Mental Health Sessions, and one to one support

6,719, Hot Meals provided by PAFRAS and the Community

3,932 Food Parcels packed by Volunteers

Last year front line services offered to destitute asylum seekers, consisted of: • Hot Meals

  • Food Parcels
  • Toiletries Clothing
  • Maternity packs and clothing for pregnant women
  • Nappies and Pushchairs
  • Small Hardship Payments
  • Red Cross Voucher Provision
  • Travel tickets to Solicitors outside Leeds
  • Bus Tickets for Health Appointments
  • Access to Legal Advice given by Solicitors
  • In house Mental Health Worker – Crisis Intervention Work
  • Experienced Support/ Caseworkers
  • HIV screening and Testing

 

Hot meals served:

From 2012 – 2013 totalled 6,719. Destitute asylum seekers Face both food poverty and malnutrition. When a claim for asylum is rejected the claimant has to leave their accommodation in less than a month, consequently unable to work and denied a range of welfare services, they are left destitute.

One of the implications of such a policy decision is that in many cases, almost instantaneously, a “refused “asylum seekers become vulnerable to malnutrition. For many food is not available, and with out access to money, the inevitable result is akin to starvation. Under International Law this is a War Crime

The food that PAFRAS provides in the form of hot meals and food parcels acts as a lifeline for those most in need. Yet however it works barely to sustain people who have subjected to conditions of penury in line with asylum policy.  Destitution Is institutionalized by the asylum system and the malnourishment that people suffer is located within this policy movement.  Inadequate food consumption occurs alongside and in conjunction with homelessness and acute vulnerability.

PAFRAS consequently serves to provide basic sustenance for those left destitute. Two hot meals and two food parcels per week can never provide an adequate diet. PAFRAS relies heavily upon donations. We thank all our donors who kindly donate food and to Holy Rosary Church who donate finance every month to cover the costs of providing hot meals, as well as Costco who provide fruit, bread and cakes and occasionally meat to help us towards assisting those who have no access to food.

PAFRAS would like to thank Hamara  for the meals they provided throughout Ramadan and at Eid for all our service users. Hamara also contribute meals twice monthly, on average feeding a 120 people per session who are in desperate need of  a hot meal.  PAFRAS and our service users give our most humble and heartfelt thanks for your kindness and compassion. The food programme logistically and operationally is a huge job, which is overseen by our Food Co-coordinator, making sure service delivery is out on time as well as making sure the food room site is running efficiently, kept clean and there are enough food stocks to make up at least a 100 food parcels a week. and over a 110-120, hot meals.

Three volunteers spend on average twenty five hours a week, splitting down, rice, pasta, tea and cereals to place in food parcels as well as rotating the stock and making up hygiene packs. This year the volunteers made up 3,932 food parcels. This work is done at our food store based in Harehills near to the drop in centre and is largely unseen, but it is a very crucial part of PAFRAS services.

Legal work

PAFRAS  Supported Clients with 1,535 Casework Sessions.  During the financial year 2012-13 PAFRAS caseworkers referred 153 clients to legal aid lawyers. In the same period PAFRAS referred 15 Clients with multi complex and challenging cases to Independent experts. PAFRAS caseworkers provided 101 “ means” letters to help destitute asylum seekers secure legal aid from their new representatives  and recorded 440 other contacts ( by phone, letter and email) with clients representatives.

During 2012 -13 Twenty Five PAFRAS clients were granted some form of Leave to Remain in the UK by the Home Office.  Caseworkers made a large number of referrals for a variety of different accommodation and support services, these comprised of some third sector and some statutory sector (Shortstop, St. Vincents De Paul Society, Abigail Housing Project).

Usually as the result of a client having made a fresh claim, sometime because they are medically unfit to travel. Although we can complete applications ourselves we refer people to the Refugee Council for Section 4 applications to avoid duplicating this service unnecessarily (they are funded by the Home Office to provide the service). When making section 4 application referrals we will always assist clients to gather the necessary evidence to establish that they are destitute.

Many destitute asylum seekers tell PAFRAS they would rather die on the streets of UK than return to their countries of origin. In our experience the large numbers of destitute refused asylum seekers come from countries widely known for severe human rights abuses  ( Iran, Eritrea, or with serious issues of generalized conflict (e.g. Democratic Republic of Congo).

PAFFOOD

Jesus & His Judgemental Father Interview

Before our rather amazing (if I do say so myself) line-up on November 23rd, here’s a lovely little interview with our headliners.  So get yourselves acquainted and come have a great time.  There’s more information on the gig on our Facebook page here

JJ

YA:      How did J&HJF form?

J&HJF:  Danny and Sof were in a Riot Grrl band called Amazon Molly and Danger and Liz were in an Ani Difranco covers band that Danny had been roadie and engineer for when we all met. We were all also involved in running a monthly open mic and gig night/vegan cafe called Riot Grill which only featured Women and Queer performers. We bonded over a love of pop-punk music, veganism and Queer and Feminist politics. Most Women and Queer people our age have noticed that most of the lyrics from the bands in the pop-punk genre that us and our friends grew up listening to (Blink 182, Green Day etc.) are full of misogyny and homophobia and so we thought it be great to mimic the style of those bands but be about the opposite of what they were about.

YA:  What would you say your influences (musical and otherwise) are?

J&HJF: Our songs are about our experiences…some are love songs but not your usual hetero narrative. Some are about oppressions we face for being who we are, some about our interesting friends. So we are influenced by everything I guess.  We are all mega music enthusiasts so individually we are probably influenced by thousands of different artists and bands but a little list might look like: Fleetwood Mac, Prince, Dolly Parton, Rilo Kiley, Dixie Chicks, Nirvana, Ani Difranco Beyonce, The Beatles, ABBA, Kate Bush.

YA:  What do you all do outside of the band?

J&HJF:  We all have Jobs, and everyone except Danny is studying as well.

YA:  What does DIY mean to you as a band and what message/s for young people trying to get involved with their local DIY scene would you have?

J&HJF:  DIY means everything to us. It’s how we do what we do. The music industry as it is, is set up so that success is measured as part of a capitalist agenda and you’re winning if your making money and everybody knows your name. If you work outside of that and make your own ambitions like, meeting exciting people, playing music with your friends and travelling to places you haven’t been then you feel a lot more satisfied with yourself than if you have a grand at the end of a show that you played to people you don’t really like. It means that things don’t fall into place without your hard work and it’s about having/gaining the confidence to keep pursuing your particular interest despite obstacles and boundaries. My message would be to make whatever music or art you feel like making just for the sake of making it. Make it for yourself and/or share it with your friends. You don’t really need more from it than that.

YA:  What other bands would you recommend?

J&HJF:  Esper Scout and Commiserations from Leeds. Not Right from Coventry, Ill from Manchester, No Ditching, Martha and ONSIND from Durham, Trash Kit and Shopping from London

YA:  What’s the bands connection with Wharf Chambers?

J&HJF:  Danny works there doing sound engineering and stuff. It’s the best venue in Leeds.

YA:  What can people expect from the J&HJF set at Youth Anthems’ November gig?

J&HJF:  Energetic and excellent as usual, but a little quieter. No swearing, more covers.