The Cut Ups – Interview

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I’ve been lucky enough to have known The Cut Ups since about 2006 when an old band of mine played with them.  Since then I’ve been in three more bands and they’ve kept on trucking, getting better and better with every album.  They’ve gone from being the new band on the block to the old hands.  Reliable but always progressing The Cut Ups really are a constant ray of sunshine and a source of hope and inspiration to everyone who knows them.  I really can’t praise this band enough as people and artists.  You are in for one heck of a treat.  If you get the time please talk to them too as they really are the nicest bunch around.  If you haven’t heard or seen The Cut Ups before then it really is a joy and an honour to introduce them to you so without further ado here is the one and only Jon Curtis…

Let’s start with a generic one for those who aren’t in the know – who are The Cut Ups and where did it all begin for you?

That’s not as easy a question as one might imagine! The Cut Ups are Dan, Pippa, Jack, Reza and Jon (that’s me). However, for these shows our friend Robin is playing the drums instead of Rez. It all began nearly 12 years ago at The Cavern in Exeter. We played our first show on December the 23rd, 2004, which was my 22nd birthday. I wanted to pump up the jams in new and extraordinary ways, so Rez and I set up with a fella called Adam. The lineup that made our new LP (“The Nerves”) has been solid for about 4 years I believe.

How do you think coming from Exeter has influenced the band’s development and sound and do you see this impact on other band’s from the area?

Well, Exeter is quite isolated actually. If you live there, its the main place where everything happens for you, you don’t often go elsewhere – so i guess this means that lots of us get the same influences in similar ways. Everything is centred on the Cavern (which Pippa runs with Dave from Exeter punks Annalise (from No Idea Records, fact fans)) which operates as an alternative venue, but its actually way more than that. As such, there’s been twenty years of community built there around a mix of UK indie and DC punk rock kinds of things, which loads of bands have imbibed to varying degrees. Those bands include and have included Muncie Girls, Annalise, The Computers, Kids Near Water, Tyler, An Emergency, OK Pilot, Shit Present, Some Sort of Threat. For me, the big thing i took from Annalise (around whom the best ideas revolve, and who i got to play guitar for on their last LP) was that there’s no value in pretending that you’re from anywhere else. I’d be a terrible Liverpudlian, or Leedsy, but no-one can doubt my legitimate Exetertonian (that’s the real term!) status. If punk rock is about honesty, then I’d be daft to act otherwise.

What have your previous impressions of Leeds been and what might you be expecting this time?

I really like Leeds, and have always enjoyed playing here. When we played here with Franz Nicolay (from The Hold Steady) as his backing band we got to stay in a Hold Steady mega-fan’s mansion. So i have had very high expectations since then. I’m expecting a butler to serve me lunch, and to have to wear a top hat on stage.

We get a lot of younger people at our gigs and therefore always ask bands if they have any advice or tips for young people thinking of starting out playing music.  What would yours be?

Go and watch as many bands as possible – It’s the best education possible. And listen to Fugazi every day.

Seeing as we have a fair few miles between Exeter and Leeds are there any bands from the South West we might be missing out on that we should investigate?

There’s loads but you’ve probably heard of most. You can have a look at that list up the page a bit, but Woahnows from Saltash are a really really great quirky post hardcore band (you’ve probably heard of them), and I love a hardcore band from Exeter called Fall Children. They are very noisy.

You’ve been going now for over ten years, how do you find managing the changing pressures of life (work, family, friends etc.) that can impact on being in a band?

I just plough on regardless.

If you could recommend one book, film and record to people that has had an impact on your growing up, what would they be?

Yeah, a book would be Great Expectations by Charles Dickens – your friends might get embarrassed by you, and shift on, but you’re alright. keep going.

 A film – I watched La Vita E Bella (Life is Beautiful) when i was 15 and was overwhelmed by the idea that goodness can overcome the effects of the bad things in the world. That hope is more powerful than anything else.

 A record – an impossible question! Today i’ll say Billy Bragg’s first EP – “Life’s A Riot with Spy Vs Spy”, which always sounds like the voice of a young person not settling for what they’re given.

I’m aware that you have had a huge role to play in Exeter with regard to food banks.  Could you tell us a bit more about how you became involved with this area and your thoughts on the huge increase in the use of Food Banks over the past 2-3 years and where you see this going moving forward?

I started a food redistribution project with my friend Martyn – we take “excess” food from supermarkets/wholesalers/manufacturers (the stuff they’re throwing away, even though its still good and tasty) and share it with organisations that feed people, including Food Banks, Hostels, community cafes, school breakfast clubs and soup kitchens. I got involved cos i thought it might be possible, and if it was, then we should at least try. Obviously there have been mistakes made within the welfare state as to how people are given what they need to survive when they’re struggling. So those errors have led to a lot of hungry and desperate people – hence food banks have done brilliant work in making sure that they are fed.

 What has struck me in the five years I’ve been doing this is that actually there is much more waste food than there are hungry people. We completely overproduce in order to give very wide consumer choice. There needs to be an acknowledgement, either corporately or individually, that this can’t continue if we expect the global situation to improve regarding resources (energy, water, oxygen, not just food). So, our style of living on ready meals, every kind of fruit you could imagine, and no planning or preparation can’t last, if we want to see changes to food waste.

Cakes play a pivotal role at Youth Anthems so what’s the dessert of choice for each Cut Up? 

I like anything with chocolate and cream. Pip would choose lemon drizzle. In truth, we’re all obsessed with Krispy Kremes, and its a constant struggle not to eat three a day.

What’s the best advice anyone has ever given you?

Was it Plato or Aristotle who said “Pick up your head, get off the ground. These High Hopes that I have keep me from getting down.”?

Fig By Four Interview

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Without sounding too bombastic Sarah really is an icon within the Leeds music scene.  Whether playing in Esper Scout, Molars, Ecate, in Fig By Four or being involved with Chunk or Bomb The Twist (not to even mention the City of Culture bid) she really covers a lot of important bases and really represents what is great about the local scene.  We’re lucky Manchester’s loss was our gain (in your face Manchester!) so here’s an inspiring little chat with Sarah before she opens up the next Youth Anthems gig.

What’s your name and where do you come from?

It’s a play on ‘four by four’. My favourite number married with a distaste of urban-tank 4x4s. It came to mind and stuck. I had a habit of eating dried figs at the time which happens every so often. Figging is also a form of torture but I won’t share that with the kids. I’m from Manchester. That’s where I started in bands when I was 15 or so. I’ve lived in Leeds for around eight years, coming here to study cinema and photography at university.

When did you first start writing and performing under the Fig by Four name?

Even though I’d consider drums to be my main instrument, it was a classical guitar that my nana and grandad bought me from their local market which came first. I learnt some cover songs and wrote a couple when I was maybe fourteen, half my life ago. After a short while I began focusing mainly on beats until the band that was to become Esper Scout moved to Leeds and needed a guitarist, and later a singer. It took ten years for me to pick it up again. I started putting chords and words together, admittedly with a feeling of tentative uncertainty about if it’d be any good. I still have that but with some grounding and direction. I’m a drummer with tendonitis. I thump things with a balance of cautious anxiety and carelessness in the moment.

How do you decide which songs are going to be for your solo work and which for Esper Scout?

There is some overlap in terms of me being able to rearrange some of the band’s songs to play solo. Ultimately though the more I pursue Fig by Four, the more I realise the two draw from completely different parts of myself. That’s not always the case, but with the four of us I find the lyrical roots are often of a noticeably political or at least directly social and passionately stirred nature. The message is a bit more urgent. Not an outright agenda but an ethos and atmosphere I guess. By contrast Fig by Four has a delicacy of tone you could say. Maybe I could put it like that. I seem to allow myself to indulge in productive and cathartic self deprecation and wistfulness a bit more. Still with an aim to be positive like Esper Scout, but more personally pointed and introspective. Turning frustrations and nagging daily expectations into a happier reality. But yeah, needless to say there’s more room for a love song or allowance for idiosyncratic quirks when it’s me alone. In ES I’m conscious of representing and uniting Kirsty, Abbi and Rebecca’s voices with mine. It’s a group effort bond band.

What sort of gigs do you find yourself playing and how do you find them compared with playing in a full band?

My first solo ‘set’ I think was an Elliott Smith tribute night in Leeds. I brought an Esper Scout song and my version of Smith’s ‘Twilight’. It’s still my favourite of his and lovely to play. The gig was quietly attended by a few friends and a handful of strangers. A couple of which have said hello a couple of years later which is nice. I remember it well. There are some gigs which have been offered to ES but we can’t be available for them so if I can do I’ll offer myself up. Experience is good and every show is a chance to build on what you have and see and meet new faces. There’s no question that it’s more nerve-wracking to perform alone, but usually I only realise that after the fact. I’ve started to notice my ‘just say yes and get on with it’ attitude recently. The same applies to the band too. I only felt the effects of the daunting London Roundhouse show that we played with the Cribs in a brief quiet moment some time later. Often they never come, those pieces of reality sinking in. Things can mean so much to me that I get so swept up in them and become overwhelmed to a point of numbness. So in that sense any gig, whether it’s solo, guitar, drums whatever, is very much the same. I do enjoy things, but they can pass me by too easily. Try to catch the fleeting journeysteps.

I know you are involved in the Leeds bid for Capital of Culture so what do you think are the most important cultural treasures in Leeds we should be making more use of?

Yeah, two years left to pull the bid together and if successful the celebrations will be in 2023. Chunk, the co-op practice space and venue we help maintain and grow would be my first mention. It’s a big collection of caring heads and hearts. Likewise musically Wharf Chambers and The Brudenell being obvious venue shouts. I’m a support worker by day and through that I get to see a lot of the city. The Tetley gallery in town, trips to Kirkstall Abbey (in my ‘hood), the Leeds-Liverpool canal and Meanwood Park are gems. Leeds is one if the best cities in the world and summer’s coming.

Since we last interviewed you with Esper Scout have there been any new local bands on your radar we should be checking out?

Oil are great! New, fun friends of the band who I’ve met through ES’s involvement in Chunk. Featuring members of Bearfoot Beware, ZoZo and Cattle. More from them soon. ZoZo are one of the best live bands you’ll see, we’re looking forward to releasing a split 7″ with them. Sabrina Piggott has a lovely way of songwriting too, with a warming Irish accent. Recommend! This person isn’t Leeds based but I think younger music lovers would really enjoy the new Frankie Cosmos album ‘Next Thing’. It’s bouncy and innocent but with real depth for someone who wrote those songs in her late teens/early twenties. Earlier this month I went to New York with my girlfriend, who’s a big fan of hers, to see both album release gigs at a DIY space in her local Brooklyn surroundings. A special gal. Melodic and intuitive.

Do you have any top tips for anyone thinking about doing some solo gigs if they’ve been used to playing in a band?

It’s nerve wracking at first for sure. Not having that family comfort. I play one or two Esper Scout songs in my set at the moment, an opportunity to know them differently. Lyrics tend to come across with increased attentiveness when it’s just voice and guitar. The chance to bare my emotions nakedly is a test of character and confidence, with no other sounds to hide within or people to stand amongst. Thankfully my motivation supersedes my nerves, at least enough to deter me from bottling a gig or let hesitation irrationally block me from putting a song out for others to hear. I must credit the encouragement of others a lot too. I write and play because it’s a compulsion I can’t seem to ignore, but boosts from outside myself can mean a great deal.

What question do you wish we would have asked and what would the answer be?

I love to travel, so I suppose something around that would always be welcome. I get real clarity of mind when moving around and open-eyed in new places. Or familiar ones with refreshing things happening. Recently in New York I visited the Interference Archive (a collective who preserve flyers, zines and documents from decades of oppositional political action). Seeing an anti-gun protest and the buzz of a Bernie Sanders rally immediately after leaving. As well as more the routine people-watching on the streets and subway was inspirational, enriching and familiar to my soul. So far away yet I feel I know that bit more surely who I am and what ideals in life are and mean. Leeds is a wonderful place to come home to, despite the end-of-trip blues clouding me for a couple of days this time as usual. With Chunk and bands and some of the best music venues I’ve been to right on my doorstep and a supportive, growing community. It’s home, as much as I feel like I’ve left pieces of myself elsewhere that I’d like to reunite with.

The Amistad – Interviewed!

I’m so happy we’ve got The Amistad playing our next gig; they’ve been a mainstay of the UK DIY punk scene for quite some time and are lovely folk too.  Here’s a few words from them before they rock up to our PAFRAS benefit on November 23rd. There’s more information on the gig on our Facebook page here

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YA: Could you give us a potted history of The Amistad? I’m aware you’re seen as a Leeds band but I know you’re spread a bit further now?

A:   We formed in 2007, originally a four piece but we’ve been a three piece since late 2009. The plan was to make rough-around-the-edges DIY pop music that was hopeful in a sort of bitter and cynical way. Well that’s the heavily revisionist/post-hoc rationalised version of the story anyway. We’ve done three split 7″s and an album since then, but it’s a good three years since we’ve recorded anything, and we probably don’t play as many gigs as we’d like. We’ve always been a band with no fixed abode really: when we started two of us lived in Sheffield and two in Leamington Spa. Now we’re split between Liverpool, London and Sheffield.

YA: How did your relationship with Bombed Out Records form and have you been involved with any other labels?

A:    Me (Mike) and Rob used to be in a band called Four Dumb Kids. Terrible name. Anyway, we were big fans of a lot of Bombed Out bands and we used to send Steve a lot of our (embarrassingly bad) recordings in the early days. Hopefully they were on sufficiently low quality CD-Rs to have not survived the aging process. By the time The Amistad got going we’d worn him down, he very kindly offered to put out our album and has been dead encouraging throughout. ROIDH and Disillusioned Records co-released the vinyl version of the album – Wayne is a lovely bloke and a fellow Wednesdayite so always a pleasure to work with – and we’ve had splits out on ROIDH, Document, Disillusioned and All In Vinyl, all of which are basically our friends’ labels and very nice people.

YA: Am I right in thinking your last release was the (rather incredible) “Kept Under by a Generation of Ghosts”? It feels like that might have been a little whilst ago, so what’s next?

A:   That’s very kind. We actually did a split 7″ with New Bruises in 2011, a year or so after the album came out, but that’s all. We’ve just booked some studio time to record album number two, which has felt like a long time coming from our point of view, so hopefully it’ll be worth the wait!

YA: What have you been up to since that album came out? Inside the band and outside!

A:    Well we did the split with New Bruises, and we’ve done a few tours, but other than that not a great deal to report band-wise. That sounds much more negative than it’s supposed to. We’ve really enjoyed playing gigs in various different places, got to play with some amazing bands and made friends with some really great people. The spending time with people bit is always the best bit, even though we might seem a socially awkward bunch at first. We played some gigs around Europe in 2012, including all the way up to Finland, which was definitely a high point. We’d love to do something like that again. Outside the band: I’ve been trying to do a PhD (was meant to take three years, just started my fifth), Rob’s moved to Liverpool, done a master’s, is now starting his PhD and expecting his first child, Frank’s moved to London, done some travelling, played in a couple of different bands and has just started a new job.

YA: What bands have been floating your boat recently?

A:   We’ve really enjoyed playing with Austeros from Cheltenham and Guerrilla Monsoon from Birmingham. I know they’re not that new but I really like Good Grief from Liverpool. There’s usually some Weakerthans and Lemuria on the go in my house. And some 90s guitar pop.

YA: Youth Anthems are strident supporters of cake at gigs so what’s The Amistad’s top three cakes?

Mike: the lemony one, the carroty one and the walnutty one
Frank: coffee, lemon drizzle, (vegan) cheesecake
Rob: cheesecake, carrot cake and, assuming it qualifies as a cake, croquembouche. I suppose that makes cheesecake, lemon drizzle and carrot cake the Amistad’s top 3!

Christine Majid (PAFRAS Manager) Interview

I’m immensely grateful that Christine Majid (the Manager of PAFRAS) has taken so much time out of her busy life to answer some questions that we sent to her ahead of our benefit gig for the charity on November 23rd (more information on that here).  It’s a pretty big interview but it really is worth your time reading to find out about an incredible organisation who are working in your City doing phenomenal work.  Have a read and then when you come to the gig on the 23rd know that all money from the door will be going to them and feel free to let us keep your spare change to add to the donations!  Christine will be at the gig running an information stall so make sure you say hi and buy her some cake!

Here’s the Facebook event for the gig:

FOODBANK

(Christine at the Food Bank – on the right)

YA: Could you give us a history of PAFRAS?

C: In 2003 I set up an organisation called Positive Action for Refugees (PAR), and had a Management Committee of 4 who backed me and had faith I could deliver the service. Starting off alone in an old house, in Harehills (with no heating or hot water and a leaking roof!) PAR worked with Refugees and Asylum seekers mainly the Iraqi Kurds, who were fleeing Iraq at the time and Iranians and Somalians.  The project centred mostly on integration, running English ESOL Classes, Asylum casework and support.

After 6 months we employed the first part time worker who was  from Iraq himself and spoke fluent English, Arabic and Farsi. PAR constantly adapted to best meet the needs of some of the most marginalised people in our society.  Funding was running out at the same time that Immigration Legislation was rapidly changing, eroding the rights of Asylum seekers, one could see that hundreds of asylum seekers would become homeless  not just in Leeds but thoughout the country, with no recourse to any public funds, no right to employment and extremely difficult to submit an email.

PAR too was made homeless and I had to close down, just before I left the premises, I received 15 people who had that day been evicted from their accommodation, who arrived at PAR with their little belongings in a black bin liner and had nowhere to go but the streets, and this became their home with sub-zero temperatures setting in.

All I could do to help was to work on the streets with an old 2CV car taking food, blankets and hot drinks; the car was my office as well! Consequently recognising the severity of destitution polices, I needed to open a drop in, to respond to the very basic needs of food, warmth, clothing and shelter, there was a humanitarian disaster was happening right in our back yard.

A Kurdish tailor who I had helped and many from the Kurdish Community asked me to go to the basement of his sewing shop (very small) with no windows to see people who required help, it became so busy, and that the old 4 singer sewing machines turned into desks! and the queues ended up half way down the streets!

Those days bring back wonderful memories of the beautiful warm bread, cheese, honey, and tea that were constantly supplied for me; I was very well looked after.

A Yorkshire Post journalist visited and, wrote an article on many of the people arriving for help and myself.

It took over 6 months working on the streets, and then a person who I will be forever grateful to, backed me and I was able to open the very first PAFRAS drop in Centre with a part-time worker in 2005, renamed PAFRAS and rented an office in an attic in Harehills

YA: So what actually is PAFRAS now?

C: PAFRAS is a Voluntary sector, non-for profit Charity, it is a grass roots organisation working in solidarity with asylum seekers and refugees , promoting social justice, through direct assistance, individual casework, mental health support , research  based interventions and analysis. PAFRAS works on the front line of with destitute asylum seekers, many who cannot be returned home, but are left in a life of Penury.

PAFRAS has a very small Team consisting of the Manager, Coordinator, one full time asylum caseworker, one part time asylum caseworker, one part time mental health worker and that’s it!!  We also have 8 trustees on board.  Our small team works in an holistic way with the client group who access our services and with the multi- complex needs they present. Since 2005 we have received more than 50.000 visits to the Drop In Centre in Harehills, 13,300 Casework sessions, distributed 25.000 food parcels and provided 43.00 meals to destitute, asylum seekers.

We estimate that the last 6 years we have distributed between 70 – 80 tonnes of food in food parcels, to destitute service users 100% is donated. We extremely grateful for all the people, organizations the community donate to us on a regular basis.

YA: What do the day to day activities of the Charity look like?

C: They are extremely busy, challenging, the phone never stops ringing, clients coming in with crisis situations, emergencies, not enough hours in the day, some days we are like ships that pass in the night, always have to be flexible so much  happening on a daily basis.. My own work is now is strategic , fundraising to try and keep the doors open for people, overlooking all sites, supervising and supporting the staff, attending meetings, writing reports, and giving talks to raise the awareness of the plight of destitute asylum seekers in  Leeds and the UK, no more than now is it so relevant as we are seeing a move to the right. In mainstream politics, not just in UK but also on the European stage, The politicians, press and media have galvanised the immigration debate as a vote winner, everything that is wrong in the country is blamed on Immigration and too many immigrants.

YA: How have the recent Funding Cuts affected PAFRAS?

C: Recent Funding Cuts have affected PAFRAS from the Charitable Sector who give grant funding, many who have slashed their grants by half, only a few give core costs for (rent, utility bills, phone lines, fax, rent, printing etc.  We do not get any government funding. This is particular difficult for causes such as PAFRAS, and sustainability of staff and a vital service is difficult as finance is so tight.

In July 2011, PAFRAS had to reduce our casework provision, from 2 drop in’ per week to 1, we had hoped that it would only be a temporary change.  However in October 2013 , PAFRAS had to implement a further round of cuts to our staffing and services due to the extremely challenging funding situation. From mid-October we lost our communications Officer post and hence our Newsletter, as well as reducing the hours of myself and the Co-ordinator role.

These decisions tough though they were, had to be taken in order to secure the long term future of PAFRAS. This unfortunately came at the same time we heard that Refugee Council had lost its contract to deliver services to Refugees  and Asylum Seekers in Leeds from March 2014.  Things had never been darker for the sector in Leeds with the whole refugee and asylum seekers sector turned on its head.

However with bids pending and our sheer determination and resilience , we were able to make it through, although I am still looking for grants for two posts that will come to the end of grant funding in March 2015

The logistics of PAFRAS are huge, We run a weekly drop in at St Aidans’s Hall in Harehills where we receive as many as a 150 people on a Thursday accessing, A Hot meal, Food Parcels, Toiletries and Clothing, Asylum Casework, Red Cross Vouchers, Access to register with a Medical Practise.

I have developed the project into a multi – agency  format, where visitors to the drop in can access  a variety of services under one roof, we have formed solid partnerships with the Red Cross PAFRAS has worked with the Red Cross (since 2005). They also provide a caseworker from the Red Cross and Red Cross Vouchers for food, for those rendered destitute. Skyline also gives advice regarding sexual health and HIV screening and testing is also carried out at the drop in. York Street Health Practise who attend the drop in registering clients with a GP and a Dentist and filling in HC2 forms for medication and much more. Hamara who supply cooked meals alongside the Muslim Brothers and Sisters who cook and provided a monthly meal to well over a 110 people per month.

YA: If people want to donate money or other things how do they go about it?

C: By going on the PAFRAS Website, http://www.pafras.org.uk, where we have a Just Giving site or you can send a cheque to:

Christine Majid Manger

PAFRAS Unit 14

Chapeltown  Enterprise Centre

231-235 Chapeltown Road

Leeds LS7 3 DX

Articles of clothing, food  nappies and toiletries  can be dropped of at the office address above , only make sure some-one is at the office base by telephoning  LDS – 262 2163, or emailing christine@pafras.org.uk

YA: What are the challenges of running a charity like PAFRAS?

C: The key challenge of running a charity like PAFRAS is funding, sustainability and resources. There are high demands on our services, we have been busier than any time in our history and the impact on PAFRAS after the closures of Refugee Council and Refugee Action in Leeds, in March of this year has been huge.  We require funding for more staff, at a time when funding grants have been slashed by so many grant givers. Also we are not the most popular cause to fund.

YA: How do you feel that PAFRAS fits in as an organisation in Leeds. What is it (if anything) about the city that shapes the charity?

C: PAFRAS is a charity that has helped to facilitates dialogue between different communities which may not have ordinarily come into contact with one another therefore creating a fusion of culture language and background bringing a further enriching experience to the diverse city of Leeds. (Over 50 different Nationalities from all over the world have visited PAFRAS).

YA: What sort of music do you listen to in the Office

C: it’s Extremely rare that we can listen  to music in the office due to the type of work we do , which demands high concentration levels working on cases, mental health and crisis issues.  However I Love the Pogues and Biscuit Head and the Biscuit Badgers!

YA; What does the term “Asylum Seekers” actually mean?

C: Asylum seekers (and by implication destitute asylum seekers), are not a homogenous group. They come from a variety of ethnic, national, cultural, linguist religious and social backgrounds. People who have fled human rights abuses in their home countries only ask only for the right to remain here and seek sanctuary, where their lives will no longer be in danger.

YA: Why do people Flee?

C:  For a wide variety of reasons;

  • Fleeing repressive and conflict riven countries around the globe
  • Fear of death due to war ( ethnic, civil, military ) and fear of organized violence
  • Abuses by security forces or armed opposition groups (rape and beatings)
  • Torture and Inhumane treatment
  • Unjust systems including detention without trial or unfair trials
  • Death penalty
  • Massacres or the threat of massacres
  • Political repression or religious intolerance
  • Persecution because of ethnicity
  • Gender based human rights abuses, e.g. honour killings, forced marriages, FGM
  • Forced into sexual slavery
  • Conscription into the army
  • Exploitation or abuse of power by someone who has authority or economic power.

Countries where there is ongoing, conflict generalized violence and well documented human rights violations, sadly is a global reality, where torture and ill- treatment continue unabated. Although the UN Convention against Torture, ratified by the UK, obliges states to provide the fullest rehabilitation to torture survivors, sadly   it is clearly not being fulfilled as many asylum seekers who visit PAFRAS, end up destitute, no aspect of destitution can be defined as rehabilitation, when victims of torture end up on the streets.

YA: Why do asylum seekers become destitute?

C: As PAFRAS’S work focuses first and foremost on tackling the problems of destitution and refused asylum seekers, it is important we that we look at the polices that were introduced by the New Labour Government of 1999 , where enforced destitution became a part of immigration control. In 2002 the removal of the right to work was implemented. Due to drastic cuts in Legal Aid in 2004, it was virtually impossible for asylum seekers to be able to secure a lawyer at Appeal Stage, leaving asylum seekers evicted from their accommodation, to find themselves on the streets with no permission to work and without recourse to any public benefits.

Many successive governments have introduced legislation followed that has eroded the rights of asylum seekers who are divested of all civil and social rights.  Many asylum seekers at end of process who are destitute that arrive at PAFRAS for assistance  tell us they would rather die on the streets of UK than be returned to their countries of origin due to ongoing conflict, wars and human rights abuses, as well as other factors mentioned below. Refused asylum seekers are not all the same: They include people who:

  • Cannot leave the UK through no fault of their own (e.g. they are stateless and have no country to return to), their governments will not provide them with travel documents, preventing their return, they are too sick to travel or there is no viable route to return home).
  • Have been in the UK for a long period and have developed strong ties with the UK (e.g. entering relationships and having children).
  • Have a pending Judicial Review
  • Think it is unsafe for their return because of armed conflict, repressive regimes, the brutality of torture and ill treatment. In some cases the UK Government itself recognizes that it is not safe for their return, even though they have not been granted asylum in the UK, (e.g. refused asylum seekers from, Somalia, DRC, Iran and Iraq).

The majority of asylum seekers that visit PAFRAS fall into this group.  Nearly 73% of destitute asylum seekers visiting the drop in services were from: Eritrea   Iran   Iraq   Democratic Republic of Congo Palestine

Countries where there is ongoing, conflict generalised violence and well documented human rights violations, sadly is a global reality, where torture and ill- treatment continue unabated. Although the UN Convention against Torture, ratified by the UK, obliges states to provide the fullest rehabilitation to torture survivors, it is clearly not being fulfilled as many asylum seekers who visit PAFRAS, end up destitute, no aspect of destitution can be defined as rehabilitation.

YA: Is there any more information about PAFRAS that you would like people to know? Could you give us a more detailed view of the services you provide perhaps?

PIE

C: These figures demonstrate the huge unmet need within the city of Leeds and the surrounding area’s for those rendered destitute, with no permission to work, enduring extreme poverty, hunger, mental and physical health problems and multiple forms of abuse: During 2012-2013 PAFRAS, delivered the following front line services: 1,535, Casework one to one sessions with clients

629    Mental Health Sessions, and one to one support

6,719, Hot Meals provided by PAFRAS and the Community

3,932 Food Parcels packed by Volunteers

Last year front line services offered to destitute asylum seekers, consisted of: • Hot Meals

  • Food Parcels
  • Toiletries Clothing
  • Maternity packs and clothing for pregnant women
  • Nappies and Pushchairs
  • Small Hardship Payments
  • Red Cross Voucher Provision
  • Travel tickets to Solicitors outside Leeds
  • Bus Tickets for Health Appointments
  • Access to Legal Advice given by Solicitors
  • In house Mental Health Worker – Crisis Intervention Work
  • Experienced Support/ Caseworkers
  • HIV screening and Testing

 

Hot meals served:

From 2012 – 2013 totalled 6,719. Destitute asylum seekers Face both food poverty and malnutrition. When a claim for asylum is rejected the claimant has to leave their accommodation in less than a month, consequently unable to work and denied a range of welfare services, they are left destitute.

One of the implications of such a policy decision is that in many cases, almost instantaneously, a “refused “asylum seekers become vulnerable to malnutrition. For many food is not available, and with out access to money, the inevitable result is akin to starvation. Under International Law this is a War Crime

The food that PAFRAS provides in the form of hot meals and food parcels acts as a lifeline for those most in need. Yet however it works barely to sustain people who have subjected to conditions of penury in line with asylum policy.  Destitution Is institutionalized by the asylum system and the malnourishment that people suffer is located within this policy movement.  Inadequate food consumption occurs alongside and in conjunction with homelessness and acute vulnerability.

PAFRAS consequently serves to provide basic sustenance for those left destitute. Two hot meals and two food parcels per week can never provide an adequate diet. PAFRAS relies heavily upon donations. We thank all our donors who kindly donate food and to Holy Rosary Church who donate finance every month to cover the costs of providing hot meals, as well as Costco who provide fruit, bread and cakes and occasionally meat to help us towards assisting those who have no access to food.

PAFRAS would like to thank Hamara  for the meals they provided throughout Ramadan and at Eid for all our service users. Hamara also contribute meals twice monthly, on average feeding a 120 people per session who are in desperate need of  a hot meal.  PAFRAS and our service users give our most humble and heartfelt thanks for your kindness and compassion. The food programme logistically and operationally is a huge job, which is overseen by our Food Co-coordinator, making sure service delivery is out on time as well as making sure the food room site is running efficiently, kept clean and there are enough food stocks to make up at least a 100 food parcels a week. and over a 110-120, hot meals.

Three volunteers spend on average twenty five hours a week, splitting down, rice, pasta, tea and cereals to place in food parcels as well as rotating the stock and making up hygiene packs. This year the volunteers made up 3,932 food parcels. This work is done at our food store based in Harehills near to the drop in centre and is largely unseen, but it is a very crucial part of PAFRAS services.

Legal work

PAFRAS  Supported Clients with 1,535 Casework Sessions.  During the financial year 2012-13 PAFRAS caseworkers referred 153 clients to legal aid lawyers. In the same period PAFRAS referred 15 Clients with multi complex and challenging cases to Independent experts. PAFRAS caseworkers provided 101 “ means” letters to help destitute asylum seekers secure legal aid from their new representatives  and recorded 440 other contacts ( by phone, letter and email) with clients representatives.

During 2012 -13 Twenty Five PAFRAS clients were granted some form of Leave to Remain in the UK by the Home Office.  Caseworkers made a large number of referrals for a variety of different accommodation and support services, these comprised of some third sector and some statutory sector (Shortstop, St. Vincents De Paul Society, Abigail Housing Project).

Usually as the result of a client having made a fresh claim, sometime because they are medically unfit to travel. Although we can complete applications ourselves we refer people to the Refugee Council for Section 4 applications to avoid duplicating this service unnecessarily (they are funded by the Home Office to provide the service). When making section 4 application referrals we will always assist clients to gather the necessary evidence to establish that they are destitute.

Many destitute asylum seekers tell PAFRAS they would rather die on the streets of UK than return to their countries of origin. In our experience the large numbers of destitute refused asylum seekers come from countries widely known for severe human rights abuses  ( Iran, Eritrea, or with serious issues of generalized conflict (e.g. Democratic Republic of Congo).

PAFFOOD

Jesus & His Judgemental Father Interview

Before our rather amazing (if I do say so myself) line-up on November 23rd, here’s a lovely little interview with our headliners.  So get yourselves acquainted and come have a great time.  There’s more information on the gig on our Facebook page here

JJ

YA:      How did J&HJF form?

J&HJF:  Danny and Sof were in a Riot Grrl band called Amazon Molly and Danger and Liz were in an Ani Difranco covers band that Danny had been roadie and engineer for when we all met. We were all also involved in running a monthly open mic and gig night/vegan cafe called Riot Grill which only featured Women and Queer performers. We bonded over a love of pop-punk music, veganism and Queer and Feminist politics. Most Women and Queer people our age have noticed that most of the lyrics from the bands in the pop-punk genre that us and our friends grew up listening to (Blink 182, Green Day etc.) are full of misogyny and homophobia and so we thought it be great to mimic the style of those bands but be about the opposite of what they were about.

YA:  What would you say your influences (musical and otherwise) are?

J&HJF: Our songs are about our experiences…some are love songs but not your usual hetero narrative. Some are about oppressions we face for being who we are, some about our interesting friends. So we are influenced by everything I guess.  We are all mega music enthusiasts so individually we are probably influenced by thousands of different artists and bands but a little list might look like: Fleetwood Mac, Prince, Dolly Parton, Rilo Kiley, Dixie Chicks, Nirvana, Ani Difranco Beyonce, The Beatles, ABBA, Kate Bush.

YA:  What do you all do outside of the band?

J&HJF:  We all have Jobs, and everyone except Danny is studying as well.

YA:  What does DIY mean to you as a band and what message/s for young people trying to get involved with their local DIY scene would you have?

J&HJF:  DIY means everything to us. It’s how we do what we do. The music industry as it is, is set up so that success is measured as part of a capitalist agenda and you’re winning if your making money and everybody knows your name. If you work outside of that and make your own ambitions like, meeting exciting people, playing music with your friends and travelling to places you haven’t been then you feel a lot more satisfied with yourself than if you have a grand at the end of a show that you played to people you don’t really like. It means that things don’t fall into place without your hard work and it’s about having/gaining the confidence to keep pursuing your particular interest despite obstacles and boundaries. My message would be to make whatever music or art you feel like making just for the sake of making it. Make it for yourself and/or share it with your friends. You don’t really need more from it than that.

YA:  What other bands would you recommend?

J&HJF:  Esper Scout and Commiserations from Leeds. Not Right from Coventry, Ill from Manchester, No Ditching, Martha and ONSIND from Durham, Trash Kit and Shopping from London

YA:  What’s the bands connection with Wharf Chambers?

J&HJF:  Danny works there doing sound engineering and stuff. It’s the best venue in Leeds.

YA:  What can people expect from the J&HJF set at Youth Anthems’ November gig?

J&HJF:  Energetic and excellent as usual, but a little quieter. No swearing, more covers.

Nice work Team!

Woooow!  What a gig, not only did we manage to wrangle 65 people away from a lovely hot day into Wharf Chambers but due to the generosity of all of those people (and especially the bands) we also managed to raise £170 for St. Gemma’s Hospice.  If you weren’t able to attend or would like to give them even more money then feel free to visit the Just Giving page that this cash has gone to and make a donation: https://www.justgiving.com/TobyChelms/

Once again a HUGE thanks to the bands, The Three Amigos who were just sheer magnificence, their choice of covers were inspired (Iron Maiden never sounded so beautiful), Get Human (who managed to empty the room of toddlers but had the 6-9 year olds dancing down the front) and of course the phenomenal Esper Scout who just blew the roof off the place and I imagine there will be a ton of new young bands inspired to start from them.  A huge shout out to Danny who made the sound levels just perfect this time too!

Right onwards and upwards!  Our next gig will be a benefit for the amazing local charity that is PAFRAS, there is a Facebook event HERE or head over to our GIGS PAGE to find out more.

YA6

Esper Scout Interview!

We are very very happy to have the wonderful Esper Scout headlining our gig this coming Sunday and thought you might like to pour yourself a brew and have a little read about them (answers by Sarah)…

YA: What on Earth is an Esper Scout?

ES: An ‘Esper’ is someone with ‘extra sensory perception’, first written down in Alfred Bester’s ‘Oddy and Id’ short story and since used in Blade Runner, Akira and Final Fantasy I believe. There’s an 80s TV show called ‘Espers’ too – want to find a copy of that! With the ‘Scouts’ being a group of people, the full name refers to a gang who are connected through something you can’t quite put your finger on – this includes audiences and people who follow the band. Especially at gigs there’s a feeling between people which goes beyond sight and sound – an ‘Esper Scout’ is our term for somebody who’s part of that, or is looking for it.

YA: How did you four originally get together?

ES: Me, Kirsty and Rebecca met in Manchester when we were teenagers and formed a punk band from school into college. Kirsty and I played sport together and bonded over our mix tapes on a year 9 trip to Germany! With Rebecca we moved up to Leeds around seven years ago and kept making music – finding Lou on the Internet. The four of us have been together six years but Esper Scout I think for four.

YA: How do you think being based in Leeds shapes the band?

ES: We left Manchester after getting the feeling that it wasn’t a comfortable creative  and productive place for us. The promoters in Leeds are supportive and it’s easy to put on your own gigs, especially at Wharf Chambers, The Fox and Newt and The Packhorse. Jonny Strangeways, Nathan Brudenell, Adam British Wildlife and Nick Dead Young are all doing good things for the local music scene. There’s also other  promoters such as Third Eye and Destroy All Monsters bringing artists from outside the city as well as giving due line up spots for local acts. For youngsters  and elder, aspiring artists there’s the Leeds Music Hub, who provide lessons, workshops and seminars. I’ve seen it grow and develop since blobbing a few strokes of paint on their walls before opening-up and myself and Rebecca recently helped with their zine club as Bomb the Twist.

YA: Can you tell us a little bit more about the Bomb The Twist, the collective that you’re a part of?  What can we expect next from it?

ES: It started out just as a small label to release some of our stuff on and arrange gigs. After realising that we were surrounded by some really passionate and talented people we decided to start a zine with Antonia who runs Sticky Shoes all-ages events. We encourage anyone to contribute, somebody has moments, words, pictures etc. which are important to them, meaning anyone has value and we like being a part of sharing that expression out.

YA: One of the hopes of our gigs is to show some younger people who might be getting their first taste of DIY music what’s out there and what is available to them, so what lessons have you learnt that you’d like to pass on?

ES: You can do more for yourself than it might seem at first. Putting a band together, organising gigs and meeting people can feel like a big job but if you care enough  you’ll see it start to happen. It might not be overnight but you’ll find people to help you make music, express yourself, reach an audience and have fun. Ed Heaton and ELFM are really passionate about helping young people to play their first gigs and find their feet with opportunities and advice.

YA: How do you find all-ages gigs compared to your average 18+ evening gig?

ES: Youth Anthems will be our third and we love playing to kids so much. This summer we’ve played with Jeffrey Lewis and at Sticky Shoes festival in Wakefield, making  young friends and fans. One six year old girl wears our t-shirt to bed, her Dad sent me a photo of it this week. Feels so good that parents bring their children out to music events, in search of positive role models which they can look up to.

YA: Top three bands that have influenced Esper Scout and your favourite three cakes?

ES: That’s quite tricky because it’s not often all four of us will agree on anything! The yoga class we go to plays Bonobo, so we can probably settle on that at least. If there’s ever tension in the tour van I’ll be sure to put that on, calm by associated memories of stretching out. Someone said recently that we’re a mix of Pearl Jam and All Saints, so there’s something to go on!

We’re yet to try any of That Old Chesnut’s cakes but will be on to sorting that straight away! Rebecca (bass) makes a great gluten-free chocolate cake – as Lou (drums) can’t eat wheat. Banana bread is good too…and vanilla slice!

YA: Any parting words?!

ES: Mainly a big thanks for having us play for you! I first heard of Youth Anthems through your Post War Glamour Girls line-up; all-ages events really are worthwhile. To see kids dancing with no self-consciousness, just giving their bodies up to music is a wonderful thing. The joy of seeing that can distract me from playing because I want to watch them and their expressions rather my guitar fretboard!

Thank you Esper Scout!  Come see them play at our next gig.  More info HERE if you’re on Facebook or HERE if you want to look on this here website.

Get Your Tickets Here!

Online tickets for Veg Out 2014 are now available. If you purchase a weekend or Sunday only ticket then you also get entry to the Youth Anthems gig (no need for people under 14 – it’s free for them!). There will be plenty of tickets on the door but if you plan on arriving a bit later and want to make sure you’ll get in then it might be worth thinking about booking in advance as it’ll be a busy one!

https://vegout2014.eventbrite.co.uk/

Pats on the back!

Maaaassive thanks are due to everyone who came out last Sunday. The bands were great (both musically and as people). Who would have known that Will/Pessimister hadn’t played a gig for 18 months?! That lad is tight! Make sure you check out his new recordings. As for Wilful Missing and Mi Mye what can I say? It’s rare to see two bands of that calibre on a bill together and I can’t recommend both of their albums enough (also in 15+ years of putting on gigs I’ve never had two bands discuss with each other their shared influence of The Waterboys)

Wharf Chambers were the kindest hosts again and That Old Chestnut were as lovely as people as their cakes are (and as sweet!).

And you lovely people were great as ever and it was ace to see so many new faces too. Any feedback is always appreciated by emailing.

Good times! Check out the gig page and our Facebook page for the next gig.